Without tempting fate, this should be my last WiP Wednesday about this project. I did quite a lot more work on this sweater after my most recent post about it, which I think is worthy of some blog space.
Finishing the sleeves was quite straightforward and I joined the sleeves and body for the yoke. It was quite fun to work the marlisle pattern again, which was just as well because the first few rounds of the yoke feel incredibly long after the relative speed of the sleeves.
Checking the finished projects on Ravelry, I saw that there was a lot of variability in the necklines. Some knitters (including me) write quite detailed notes on their projects, while others don’t add anything. It was hard to tell how my project was going to turn out. I added a lifeline before working the neck shaping and I’m glad that I did.
A few rows into the neck shaping as written, it became obvious that the pattern is for a boat neck. Boat is one of my least favourite necklines- I just don’t think it suits me. I ripped back to my lifeline before going on holiday.
In the end I decided to tackle changing the neckline in two ways. I added more increases (every other row rather than once every three rows) along the raglan seams in the body on both the front and back. Since I have quite broad shoulders, I don’t like excess fabric to accentuate that part of my body. I also changed the short-row shaping on the front neckline.
I had to do some more ripping when I accidentally knit the additional raglan decreases before I had calculated the changes to the neckline shaping. I used a combination of eyeballing and maths to work out how I wanted it to look. I think I’ve mentioned before that one of my pet peeves is having a t-shirt showing when I am wearing a sweater. I just think it looks messy. So my aim was a close neck that should cover the layer beneath.
I took some pictures of the notebook pages where I did my quick maths. Kate Davies wrote a recent blog post about knitting and creativity. It discusses the idea that knitting is ‘relaxing’ at the expense of allowing knitting to be creative, engaging and absorbing. This relates to the idea that ‘women’s work’ is something straightforward and mindless, or even frivolous.
Even when following a pattern, knitting can involve a lot of processes that are not remotely relaxing. Undoing work can be frustrating. Figuring out how to change a design is a highly creative problem-solving endeavour, bringing to bear all the knowledge one gains through years of practice. It is an engineering project. Part of the reason I write all of these WiP posts is to give an impression of the work that goes on behind the scenes. When you say, “I made it,” most people have no idea of what that actually means.
In the end, I didn’t have quite enough of the light blue kidsilk to finish the sweater, so I had to buy one more ball. Somehow I hadn’t noticed that the balls are £8.95 each last time I went to John Lewis! I will have most of a ball left over.
The neck ribbing is virtually done now, so the final stage will be the finishing. I am using I-cord edging throughout, which I hope will give a very clean finish. It’s currently a bit warm for a sweater, but knowing English weather I imagine I will find an opportunity to get some pics once this garment is ready to wear.
Previous posts in this series
This sweater has been in my WiP basket for several months now. Shortly after my last blog post (and taking this photo), I ran out of turquoise yarn.
I was also a bit uncertain about how to do the ombre on the sleeves. All in all, I was not feeling so inspired by this project, but fortunately that gave me the impetus to finish my She Loves Wool sweater that had been similarly languishing.
Looking at this photo with fresh eyes, I felt that it probably was time to start changing colours soon. I think it will make sense visually to have the colour change over my elbow.
Another complicating factor was the yarn. I had hoped that I had salvaged enough from my Bay sweater for this whole project but, alas, that was not the case. Even worse, I wasn’t sure which colourways of Kidsilk Haze I was working with.
I’m sure Stitch’n’Bitch, my bible in my early years as a knitter, recommends that you never throw ball bands away and thus avoid these problems. I know I followed that advice for quite some time, but old ball bands are a super annoying thing to have lying around the house. I’ve discarded them all in various house moves.
What would make sense in the modern world would be to record this information on Ravelry. Now-me generally does that (I would like to be more fastidious about including all info, including dye lots), but unfortunately the Monique of 2013 did not. I have the colour recorded as ‘blue-green.’ I was fairly sure that the colour was ‘peacock’ but when I checked the Rowan website, there are two other shades that fit the bill. I had hoped to buy the extra yarn on eBay, but in the end I made the pilgrimage to John Lewis, praying that they had the right colours in stock. I took my swatch with me to compare.
Not an exact match, but perhaps it is unreasonable to expect the colours to be a super close match when you buy extra yarn over six years later.
I wasn’t sure whether I would have enough of the lighter colour either, but I decided not to buy more at this stage. What I will do to try and circumvent that problem is make the section with the sequins longer than originally planned. I also wanted to use up the Kidsilk Haze Glamour.
I spent quite a bit of time knitting over the May bank holiday weekend. I was coming off an incredibly stressful week, and I needed the time to myself.
I finished the second sleeve and realised it made more sense to use up all of the turquoise yarn in the sleeves. Hopefully this will mean I have enough of the pale blue to finish the yoke without having to purchase any additional yarn.
I tried my best to make the sleeves match by weighing the yarn as I went along. Unfortunately I only have digital food scales that measure to the closest gram. Not especially helpful with mohair, which is incredibly light. Hopefully a local drug dealer will donate a more precise scale to one of the charity shops I frequent.
I have now ripped the first sleeve back to the turquoise area to insert the remaining yarn. The sleeves are lovely and quick to work so should be on to the yoke soon.
I really really hope I am going to come out with a sweater that I am happy with. I have put a lot of work into recycling two old garments into this piece so I will be quite heartbroken if I don’t like the way it turns out. That being said, I am having a cropped sweater moment so it should slide seamlessly into my wardrobe as long as all goes to plan.
Previous posts in this series
Not long after writing my last blog post, I tried on my Humboldt sweater and realised that I wasn’t happy with how the gradient was looking. When I calculated how long I wanted each section of colour to be, I didn’t know that I had made a mistake when measuring my Port Charlotte sweater and therefore the dimensions were out. Also, the ribbing section is much more navy than turquoise, meaning that the turquoise section looked way too narrow.
The only viable solution was to rip back to where I finished the turquoise part.
This marl is pretty difficult to photograph! When I was looking yesterday, I couldn’t see much of a difference but now I can. I spent quite a bit of time examining the pattern schematic to try and think about the look of the gradient rather than just calculating it and I’m hoping this way will work out nicely. I will also have to think about how to do the sleeves, which will be much longer than the body.
I’ve managed to finish knitting the body and I think the length is looking as I want it. It feels so weird to be deliberately making a jumper too short!
I managed to cast on my first sleeve so that I could work on it on a flight. Despite the current heatwave in London, I’ve been making decent progress.
Now having a bit of a dilemma about how I want the gradient to look on the sleeves! Maybe it’s time for another lifeline…
Pattern: Humboldt by Anna Maltz
Since first dreaming up the idea of this sweater over a month ago, I have finally managed to cast on!
I decided to use the finishing treatments from Paper Dolls, particularly the i-cord bindoff. I know it looks really good with corrugated rib and I think it will help with the overall effect I’m trying to achieve. I love the finish it gives so much that it’s worth the extra effort. I did a provisional cast-on with some yellow scrap yarn using this method. I will finish with i-cord once the sweater is all done.
It’s hard to knit marlisle quickly! I tried the method Anna suggests in the pattern but it didn’t work for me so I’ve been holding the main colour in my right hand as normal and the additional colour in my left as I would for fair isle. FYI I’m holding the Kidsilk Haze double.
I had decided to be lazy and knit the navy yarn without soaking it. However, you can see in the picture above that it looks really uneven. I mean, I guess it’s understandable given how curly the yarn is.
I wasn’t confident that the knitting would even out enough with blocking so I took the time to soak the yarn to stretch it back out. The knitting is looking much more even now.
I’m feeling a little uncertain about how the sweater is looking so far. The swatch was a little square of perfection but somehow I’m not sure how it’s translating onto a larger scale. The sweater also seems a little bit big but from both measuring and trying on I think I’m on track. I’m going to continue on and just hope for the best since I’ve already put so much work in.
On the plus side, I’m finding this project enjoyable and stimulating to work on. I just really hope that I will feel the final product was worth all the labour.
Pattern: Humboldt by Anna Maltz
Ravelry project page
There’s more work to do before I can even start my exciting mermaid Humboldt project. I was on a bit of a roll when I finished harvesting half of the yarn from an old sweater so it wasn’t long before I started trying to figure out how to unravel the second jumper I am upcyling, my blue ivy cardigan.
Unravelling is a bit like detective work. Since you can only unravel in one direction, you have to figure out (or remember) how the garment was constructed. I find it quite addictive. There are nice sections of long, uninterrupted mindless frogging. Then you get to something like an underarm or collar and you have to work a lot more carefully. I tend to sew up using yarn tails, which adds another layer of complexity. I see it as a challenge to have the yarn in as few sections as possible- that’s what prevents me from getting frustrated and cutting it!
I’m going to freeze this yarn before I work with it. My old house had moths, and I want to make sure that the final sweater is larva-free. I’m feeling quite laissez-faire towards soaking and winding the yarn before I use it. I’m currently leaning towards just giving it a thorough wash when I block it instead.
My She Loves Wool sweater is very much on the back burner at this time. I think mermaid Humboldt feels much more like my creation in comparison to making something from a kit. I feel quite up for creative challenge at the moment, whereas at other times I want mindless crafts to work on.
Malabrigo Yarn Sock in Cot D’Azure
Total amount: a little over 300g
Original cost: £38.97