I started to feel a bit less grumpy about the coat after getting a bit more sleep following the second class. I have a ridiculous number of things on at the moment and it’s hard to stay on top of it all.
I finished attaching the last piece of interfacing and sewed up some of the seams I was supposed to do in the first class. I managed to cut out all of my lining pieces. I had around 1m left (136cm wide). I was pretty lazy with the lining so could potentially have used less than 2m.
This week, I started to feel like I wasn’t miles behind everyone else for the first time. I attached the collar, which is very fiddly but the coat is starting to take shape.
I have a lot of pressing to do in the next week, as well as making up the lining and doing some work on the sleeves. However, it’s half-term next week and I have the day off on Monday, so I will have some breathing space. I’m hopeful that I will be able to get everything done to be able to come out with a finished coat.
Since I had only attended half of the first class at Sew Over It, I had a LOT of homework to do in the following week. I still had to cut out many of my paper pieces as well as all of the fashion fabric, lining and interfacing; test the fabric for how much steam it can take, test the interfacing, and fuse the interfacing to the fabric.
I had 1.2m of fabric left at this point- with one small piece to cut. Once more, I got fabric of a non-standard width from Goldbrick Fabrics. It’s 152cm wide. This is something to watch when fabric is over £70/m! However I’m kind of excited at the prospect of making a pencil skirt from the remnant.
I think that one of my pattern pieces is missing an alteration so most of the front pieces aren’t cut out. I also haven’t tackled cutting any lining yet. However, I cut and fused everything I was confident with.
After the class
Managed to cut out all of my fabric and interfacing, and fuse them together. The rest of the class was spent working on the pockets.
It’s quite nice to see my fabric and lining playing together.
I have to say I am not really enjoying coat class rn. I booked it before realising I was going to be crazy busy. Essentially, I have a stressful day at work, go and be stressed for three more hours, then get told to do a lot of stuff that I don’t have time to do during the week.
I do think it’s given me a bit more empathy for the kids I work with. Being stuck in a class, knowing that you’re behind and can’t catch up sucks.
Loads of homework again this week, and I’ll also be at a quidditch tournament in Edinburgh all weekend. We’ll see how I manage that.
I’ve wanted to take part in the series of sewing workshops to make the 1960s coat for ages, but the time was never right. At first, I was not an experienced enough sewist to undertake such a complex project. The workshop then became unavailable for an absolute age. So, when I saw that it was up and running again, I booked straightaway. I’ve been wearing some incarnation of a red coat for more than ten years now and my current version is really threadbare. I would have liked to replace it two seasons ago but red coats are not easy to come by. Now I’m going to try and make my own.
Photo taken from the Sew Over It website.
The course notes state that 3m each of fashion fabric and lining, so the first step was to go shopping. My job semi-regularly takes me near the Goldhawk Road and I hoped that this was where I would find the perfect red wool. I didn’t have a huge amount of time, so I just headed to my best-loved shops. I was tempted by a bolt-end of red crepe in Misan West- £50 for 5m was a bargain, but wool crepe isn’t really right for a winter coat. They also had some nice red wool with a sort of herringbone pattern (£35/m) that was my only other option.
Goldbrick Fabrics is my favourite shop on Goldhawk Road. They have a great selection, good customer service, which is very important to me, and they didn’t let me down. The woman who helped me pulled out a sample of a wool and cashmere mix that was utter heaven. A stunning shade of pillarbox red that felt as beautiful as it looked. I balked a little when I saw that it was nearly £80/m, but I had to have it. Yolo. The lady was willing to negotiate, so I thought it made sense to buy my lining there too. I am a huge fan of a jazzy lining, so I had to have this patterned purple viscose.
All in, I spent £220 on the fabric for this coat. The course was just over £160, which means that by the time I get buttons and interfacing, I will have dropped more than £400 on my new coat- double what I spent on my last (red wool and cashmere mix) coat from John Lewis.
I like to be clear about prices because people often don’t realise the cost- both financial and in terms of time- associated with being a maker. On the other hand, this is a wonderful opportunity. I will spend twelve hours in the company of an expert dressmaker learning how to make something that is literally tailored to my body and my style. It makes sense to invest in fabulous fabric when I have someone so experienced to guide me through the process of creating this garment.
I had to leave the workshop early (for very exciting reasons that I hope to be able to reveal soon) so only managed to alter the pattern.
I lost steam on my knitting again after getting near the end of my Wowligan. That project is on my summer to-do list, so hopefully I’ll get around to finishing off the button bands in the next couple of weeks.
I’ve got a couple of summer trips coming up where it will be nice to have a fairly straightforward project along with me. Something that caught my eye immediately was this beautiful Wonder Woman shawl. I’m not especially into comic books but I am into bold, graphic designs and getting more red into my wardrobe. I picked up some yarn on the Love Knitting website but the red was completely the wrong colour. I decided to finally head to I Knit London, which is currently my LYS, to pick up a suitably cartoonish shade.
I’ve been aware of IKL since my days as a fledgling knitter, when I accompanied them to Camp Bestival to volunteer in their tent one summer. It was good to finally get a chance to visit the store just eight short years later (seriously where does the time go?). I’ve got to say that I liked IKL. Gerard dyes his own yarns and I will definitely have to go back as his speckled wool would make a great jumper. I still have a speckled Humboldt sweater in mind.
Anyway, I picked up some red- a bit more cherry than I would have liked, but I couldn’t be bothered to trek to another yarn store. I had some fun using the swift and ball-winder to wind the yarn, helped by the ladies in the knitting group that was running when I visited. I hate hand-winding so much, it was great to be able to skip that step and be left with a professional-looking yarn cake.
So far the knitting on this pattern has been going well. I’m really enjoying the fact that this project is mindless enough for me to work on while I finally catch up on Game of Thrones. I didn’t get a chance to watch series 5 or 6 (though I did read the books a few years ago) and I’ve been loving bingeing them. The other advantage of knitting is that it stops me from checking my phone and therefore missing bits of the action.
It’s not that easy to get a decent picture because of how the shawl is constructed, but here’s how it’s looking so far. You can see that the W shape is starting to emerge.
Pattern: Wonder Woman Wrap (FREE on Ravelry)
Yarn: 1 skein each Ella Rae Lace Merino (Pineapple Soda) and Fyberspates Scrumptious 4-ply (Kiss)
Since I had the stirrings of a wish to knit while I was laid up ill on the sofa, I bought a Wowligan kit from the Kate Davies website. Ever since Kate started producing her own wool, I’ve been itching to try it. None of the kits were quite speaking to me until these ones for cute baby cardigans were released.
I knit up a couple of swatches and soon cast on. I got gauge on 3mm needles. Since I couldn’t find any other small circulars, I used 2.25mm needles for the rib. I was a bit worried that the ribbing would be too small and look silly, but actually it looks great.
I was wondering whether Buachaille might replace Titus as my go-to yarn for sweaters. I think Buachaille is wonderful for wool. It softens up after blocking and has a lovely drape. However, it is still a tad itchy for my sensitive skin. Still, great to try a new product made by a small business that I’m keen to support.
Quite a few American knitting bloggers I follow mention knitting during meetings and at conferences. I never know whether this is a standard ‘thing’ in America, or something they have pioneered themselves, but it’s definitely not common here in the UK. As a psychologist, I know that keeping your hands busy with activities such as doodling can actually enhance concentration. However, it’s not widely accepted for adults to do anything other than stare in rapt concentration at the speaker (or play with their phone under the table).
While I don’t feel comfortable enough to ask to knit in team meetings at work (yet), it is something I’ve started doing when I’m attending training. I think I feel freer because I generally don’t know the other people there. Anyway, doing so really works for me, and gave me several hours of free knitting time on the body of this little cardi, which otherwise might have been quite dull going.
The sleeves are going super speedily! I used 2.5mm DPS for the rib and went back to 3.5mm for the stocking portion.
Yarn: 3 skeins Buachaille in the Furze colourway, provided in kit from website
I finished my Unspeakable hat in pretty short order and quickly whipped up a yellow pompom as its crowning glory. Despite spending ages carefully cutting out my cardboard template, the pompom looked pretty crap. I noticed the last time that I made a pompom this way, for my other hat using the same pattern, the pompom was a bit wonky.
This time, no amount of trimming seemed to bring the pom in to the massive fluffy sphere in my mind’s eye. At the same time, I started to doubt my design choice. Was it a bit simplistic and crap-looking to just have a big yellow pompom plopped on top of the sparkly purple hat? (Note: Looking at these pics, the pompom really doesn’t look that bad. I think this is an example of me being a little bit of a crazy perfectionist.)
As well as ordering a plastic pompom maker from Amazon (I resisted for years since one can make do without, but I now feel this is a false time economy), I remembered seeing some beautifully designed pompoms online some time back.
After some googling, I found this tutorial for making pompoms with coloured designs on them, and decided to have a go at making my own golden snitch pompom as part of the #craftblogclub craft challenge.
This is the design, which will guide me when I’m wrapping the yarn around…
…this handmade pompom maker. The clever addition of the smaller rainbow of cardboard on the templates at the top creates a space for your scissors, to make cutting the pompom easier.
This pompom turned out okay for a first try, but I realised that I had made the snitch design far too big, so much so that it was difficult to tell what it was at a glance. I decided to try again.
I hope you can tell which pompom is which! I didn’t bother trimming the first one that much as already knew I would be trying again. I made a snitch design on both sides of both pompoms. I’m definitely featuring the better side in these pics.
Definitely feel like ‘trimming my pompom’ should be a euphemism for something…
Even though it’s still not finished, I decided to make something to go with my floral Ultimate Shirt. Julie, the instructor, made a throwaway comment about getting a pink skirt in the final class, which I initially dismissed because I don’t really wear pink. I just don’t think it suits me as well as other colours. However, the idea must have lodged somewhere as I found myself thinking more and more about a skirt project.
At first, I planned to finally tackle the pencil skirt. I should probably finish the Sew Over It pencil skirt that’s been languishing in my WiP pile for well over a year, but I’ve really lost my motivation on that project. I remembered seeing the Tulip Skirt in a sewing magazine a while ago and falling in love instantly.
The best thing about this skirt? POCKETS, BABY! Since SOI recently launched a PDF pattern, I decided to ignore my hatred of printing my own patterns and go for it.
I have a couple of wool skirts in my wardrobe that are incredibly useful workhorse garments; sturdy, smart-looking and easy to wear. My favourite navy skirt is a charity shop find that is starting to look a bit shiny, and the zip has a weak point in it that scares me every time I do it up. I’m hoping to create a garment to stand the test of time just like the navy one, so I decided to invest in some quality wool crepe for my new skirt.
Goldbrick Fabrics has become my favourite shop on the Goldhawk Road as I find the staff in there friendlier than most of the other shops. Fortunately they had some beautiful (though pricey) wools.
I wasn’t really intending on making such a statement garment, but the two colours that caught my eye, and that I thought would work with the ultimate shirt, were the two brightest. I decided to be bold and plumped for the hot pink.
Putting together the printed pattern wasn’t quite as horrifying as I remembered from the one other time I did it, though it still took well over an hour.
My beloved navy skirt has a 30″ waist so I decided to cut a size 12. After reading lots of conflicting advice about preparing wool, I decided to ignore all of it and hope the fabric was preshrunk. Real talk: I don’t wash my wool skirts that often anyway.
I did spend some time ironing a swatch of fabric to see if there would be any shrinkage. I used my new silk organza pressing cloth as I don’t want to risk scorching the fabric.
One thing that bothered me was the fabric recommendation given on the pattern, which clearly states that all sizes need 1.8m of fabric. My pieces only needed 1.1m. Actually I just measured and it turns out that my fabric is 1.56 metres wide, which is a non-standard width. Something to look out for in future.
Since decent wool crepe is over £20/metre, that’s kind of a big deal. I doubt I need two fuchsia skirts in my wardrobe, so I’m not sure what I’ll do with the leftover, which is about 0.8m.
Cutting out seemed to go fine, and I prepared the pleats on the front of the skirt and darts on the back. The next step was finishing the raw edges. I was concerned about this because I don’t have an overlocker (I wish I did!) and a previous attempt at zigzagging looked rubbish. However, the crepe frays quite a bit and I don’t think I’ll get a chance to pop to a sewing cafe any time soon.
Fortunately I found this very helpful tutorial on zigzagging by Tilly and the Buttons. She mentions using a special overcasting foot, and when I checked the accessories that came with my beloved Janome, there was one in there! Double zigzagging all of the edges took FOREVER but it looks okay, and I hope it will prevent my edges from fraying. It also used up two full (small) spools of thread and bobbins. I need to remember to buy matching thread for future projects.
Unfortunately, it wouldn’t be a sewing project of mine without at least one really stupid error. This time, when I was pinning the side seams of the skirt together, I noticed that one side was a lot longer than the other. Turns out that I managed to cut the pattern for the long version of the front of the skirt (the version I wanted to make), but the short version for the back pieces. What the hell is wrong with me?
Although I had enough fabric to cut out new back pieces, the idea of doing the darts and zigzagging again was too much. I held the pieces up to my body and, actually, I think that if I do a slightly narrower hem, the shorter skirt should still hit around my knee, which is the length I want. Fingers, toes and everything else crossed!