For some reason, I’ve been more prone to shopping over the past month or so. I’m not sure if it’s just because I’ve been a bit stressed out and feel the need to buy myself presents to give myself the illusion that life is worth living. When I received a Kate Davies newsletter saying that her dyed shades of buachaille were on sale, I knew that my credit card was likely to take a hit. I love to support small female-led businesses when I can.
I ended up buying a kit to make the Oran do Chaora cardigan.
I got the blue colourway, which is called between weathers. I love the way Kate’s work is inspired by the natural world around her. Luckily the pattern was included because I thought that it was included in Inspired by Islay, of which I have a copy, but I was wrong.
When I was clicking through Ravelry looking for inspiration pictures, I remembered the Sinister Catdigan that I’ve had saved in my favourites for a while. I just love the way the kitties look.
I’d seen that someone had knitted a plain Oran do Chaora. My initial (mean) thought was that it was silly since the cables are the main feature of the pattern. But then I started to wonder whether I could incorporate a colourwork yoke into the cardigan. I wear a lot of blue and have a RTW navy blue cardi that I wear a lot already. I feel like a cute cat cardigan could add a lot to my life.
I dug through my stash to see what I could use for the contrast colours and I’m thinking about the leftovers from my She Loves Wool sweater.
I like the way the colours look together, but I am a little apprehensive about using two such different yarns in the same garment. Buachaille is a relatively rustic and sheepy yarn (for me), while sugar baby alpaca is super soft and feels a bit more processed. There is also a slight difference in my gauge. However, I am drawn to the idea of using the yarn that I already have rather than buying something new.
I think I’m going to steam ahead regardless. Oran do Chaora is knit from the bottom up, so I can always unravel and re-knit the yoke if I find that the alpaca really doesn’t work. I haven’t quite decided yet whether to buy the sinister catdigan pattern. I’m pretty sure that I could recreate the yoke without needing to purchase the pattern, but I also feel that the designer has created something very cool and unique and should be remunerated for that. I prefer the cardigan style of ODC so the fair isle will most likely be the only design element I use from the other pattern.
As always, I’d forgotten how boring it is to knit flat stocking stitch- though not quite as bad as the long stretch of ribbing. As usual, I used a tubular cast on (Ysolda method) because I love the way it looks. I’m sure no one else will ever notice this little detail, but it’s still worth the extra time to me. As I also often do, I forgot that you’re meant to knit the ribbing on a slightly smaller needle. That’s something that I don’t think makes a big enough difference to re-do, so I will be leaving it.
Yarn: Buachaille by Kate Davies
Pattern: Oran do Chaora x The Sinister Catdigan
I loved this pattern for a cute pair of rainbow mitts ever since I saw it on Ysolda’s Instagram well over a year ago. The kits popped up again, probably because it’s Pride month, and I couldn’t resist this time. My good friend Paula’s birthday was coming up and I thought these would make a great gift for her.
I’d also seen some wonderful pins that Ysolda was stocking, so the purchases justified one another and enabled me to get free shipping. I just had to get this pin of a woman with beautiful natural hair. Representation matters! I bought two Joy kits in the end because I can see myself making this project for someone else too.
There are mistakes on both flags, which is a bit of a pity because the flag is probably my favourite part of the pattern. On the first, I misread the pattern and somehow missed that each colour row is two garter rows rather than one. I’ve never done double knitting before, but I’m still a bit mystified as to how I failed so badly at reading. I managed to do the process correctly on the second mitt, but somehow did two rows of red rather than one (facepalm). Maybe I read the same section of the pattern twice? Another shocking reading failure on my part.
I was on a tight deadline for this project because I wanted to give them to Paula on time. This meant that I did not correct the errors. I didn’t notice the mistakes in the first flag until I was working on mitt 2, though I had noticed that it looked wonky. Paula doesn’t knit and I’d be surprised if she notices anything untoward.
I did, however, manage to make yet another huge error that could not be ignored. I accidentally made two left mitts once I had finished the fair isle on the second one. This was a mistake that I couldn’t really let go so I unravelled.
Weaving in the ends was a slight pain but these mitts are finally on the blocking mat. I should be able to give them away at the weekend.
Pattern and yarn: Joy kit from Ysolda
Ravelry project page
I bought this fabric just over a year ago, planning to make a third Day Dress (previous version 1, 2). I saw someone else using it at my disastrous silk cami workshop (Sew Over It were stocking it at the time) and fell in love. Although I like the Day Dress, my pink Macaron is probably the most flattering dress I have for day wear. I decided to have a go at making a version without the contrast bodice, which no one else seems to have previously attempted. I certainly could not find any blog posts about doing this even after extensive searching.
This post contains detailed notes about how I created a solid Macaron by combining the yoke and bodice pattern pieces. I will also describe how I lined this dress- I don’t think I did the best job, it’s more a case of notes for future learning.
I overlapped the bodice and yoke pattern pieces by 3cm and traced. On the front I also increased one of the darts by 5mm since some length seems to be taken out at the seam between the pieces. I probably should have done this on the waist dart but I took it out of the side dart- I don’t imagine this will make much difference. I just did the back straight and did not alter the shaping- I’m fairly confident this will work for my figure.
I also decided to make my life difficult by lining the dress. The neckline facing on my first Macaron is a travesty (partly my error, partly the pattern). At present I have only planned lining the bodice. I’ll see how I feel when I get to the skirt.
I easily got this dress out of 2m of fabric by book folding it. I nearly always do this and it saves loads of material. Pattern companies tend to massively overestimate the fabric requirements, as well as not having cutting diagrams that are as efficient as possible. It’s really wasteful and annoying. Bear mind that I also cut out two bodices.
I cut a size 10 with adjustments as described previously. I interfaced the waistband for extra stability. Since I had plenty of fabric, I decided to self-line the bodice so I don’t have to worry if the lining ever peeks out at the neck seam. I pinned and machine basted the darts as pleats in the lining pieces, trying to have the excess fabric fall in the opposite direction to the darts in the shell.
I made up the bodice as directed, following the same instructions for the lining. I joined the two pieces RS together at the neck. Note: do not finish the neckline edges before stitching.
I machined the bottom hem of the lining to the seam allowance between the bodice and waistband pieces at the front and back separately.
This is how the bodice looked just before I attached the sleeves. I’m very happy that I decided to line the bodice since the fabric is so delicate. It makes the dress feel much more classy and professional.
I attached the sleeves as in the pattern, to both layers of bodice and lining. I then finished the seam as one piece. I haven’t yet removed my hand-basting because I think it looks really cute.
I decided it would be silly to line the bodice but not the skirt. I cut out additional skirt pieces using the leftover lining from my coat. I shortened the pieces by about 3 inches and incorporated the selvedges at the bottom to save hemming (lazy sewing for the win!) I made up the skirt lining as directed, ironing the pleats in the opposite direction to those in the shell.
I had planned to attach the skirt and lining within the waistband seam allowance before I sewed the skirt to the bodice. However I wasn’t sure about having additional weight of the lining pulling down on the waistband piece. The fabric really is very delicate. Thank goodness I decided to interface it!
In the end I couldn’t think of another solution. Weirdly I had an issue with having a lot of extra length in my bodice compared to the skirt, but only at the front. I was able to ease it, but it took three attempts. When I tried the dress on, it looked weird. I tested the pockets and… they were on the back of the dress. I had seamed the wrong side of the skirt 🤦🏽♀️
My inability to tell left from right bites me again. I spent ages undoing the incorrect stitching and sewing the skirt together on the correct side. I then re-did the waist seam and it went together much more smoothly.
I tried on the dress and I’m really happy with the fit. I love the way this dress makes my figure look.
The last step was to insert the zip. That part was relatively pain-free. I hand-tacked the dress to the zip before stitching to ensure the waistband seams would line up- this definitely helped. I probably should have used a 1cm seam allowance rather than 1.5cm because the dress is a teeny bit tight at the waist. My makes normally give slightly with wear, so I don’t think it’s worth the bother of reinstalling. Now just the hem and a bit of finishing and this dress will be ready!
Fabric: 2m of viscose costing £18 (I paid £2.95 p&p for this and the fabric for my cloud tee). I also used less than a metre of viscose lining (a scrap so I will not cost this)
Pattern: £18 (second use)
Notions: All bought ages ago so no idea. Let’s provisionally say £5
Total: About £33
I’ve been working consistently on my She Loves Wool sweater since picking it back up in the summer. I hope people don’t find these posts too dull, but I’ve been working on this project for so long and I don’t have that many other makes to write about.
I have now finished the front section and have moved back to working on the sleeves. I looked back at my previous post in which I blithely wrote that I was ‘nearly ready’ to start the colourwork on the first sleeve. I was nowhere near that point!
There is a lot of plain knitting to do once the sleeve increases are finished for the smallest size. I am mostly knitting on public transport or while watching TV at home so it’s not too bad but, as with the other pieces, still pretty dull.
The instructions state to knit the sleeve until it is 60cm long. This seems excessive. I have very long arms and they’re a little over 50cm from wrist to armpit. I’ve put the first sleeve back on hold at 21″, planning to re-check the length before starting the colour work. While I feel that I should follow my instincts and start the sleeve colourwork, I feel very apprehensive about deviating from the instructions. Normally I have to add length to my sleeves so it seems perverse to make them shorter than stated.
I took the time to check the sleeve length as accurately as possible. I pinned the sweater sections to my bra- the colour work is the same depth on all of the sections so the back is standing in for the sleeve. As you can see (I hope!) the sleeve looks good so I have proceeded with the colour work. I might even start putting the yoke together before finishing the second sleeve so that I can feel 100% confident about the length.
In more positive news, the neckline looks a lot better than I was expecting. The official pictures of this sweater all show the neckline being quite open, which I hate.
However, my neckline looks very different. I wonder if perhaps the sample was knitted in the largest size. Anyway, it gives me hope that I won’t have to make a lot of alterations because I’ve spent quite enough time on this sweater already.
Suddenly I am starting to feel like I am making good progress on this sweater so I am a lot more motivated to work on it. If all goes well I might even be able to wear it before Christmas.
She Loves Wool- kit from WatG * And Other Stories
Ravelry project page
I’ve been working on a dish cloth using the hemp yarn I picked up in Kangasniemi.
I saved a few dishcloth patterns on Ravelry. My favourite was this one, which cost $2.50.
Although I believe in supporting designers, I also felt that it would be pretty easy to improvise my own similar pattern, so I did.
I think the dish cloth is too wide and I’m not sure about the gauge (might be better on 3.5mm needles). But then I’m planning to use this cloth to scrub my dirty plates so does it matter? I genuinely can’t decide and so I vacillate between starting again and continuing.
I’ll probably write up a pattern at some point. It’s been a very long time since I published a knitting pattern. My last one was this cute baby hat. I check Ravelry intermittently and there are 37 projects on there! It blows my mind that at least 37 people (not everyone maintains their Rav as religiously as me) have made hats based on my pattern.
After serving several weeks as my inspiration project, I hit a speedbump in knitting my Mermaid Humboldt sweater. I had a few flights coming up and needed a relatively easy project that I could work on while travelling. I returned to my hibernating She Loves Wool sweater. It’s been a good few months since I ground to a halt with the incredible monotony of knitting long row after long row of black stocking stitch. However, this was exactly what I needed to ease my anxiety on the plane- and simple enough that I could start the new season of Orange is the New Black at the same time.
After a long weekend spent in France with my dad, I had nearly finished the black section of the front.
I am now coming up to what I think will be the most challenging aspect of this knit- the neckline. There are no modelled pictures of anyone wearing a She Loves Wool sweater online. From the few photos of unmodelled sweaters, the neckline looks far too open for my liking. I am going to have to make some significant alterations to get it the way I want, which will mean lots of lifelines and I will also attempt to take detailed notes.
With that in mind, this project was becoming a little unwieldy for travel knitting. I decided to cast on one of the sleeves to take on my various summer holidays. I finished the second ball of black yarn and put the body on hold until I have some time to start working on the fair isle section, which I think I will enjoy.
The first sleeve- I had used up one ball of wool at this point. The sleeves were quite funny to knit. At first, they seemed to be going really quickly compared to the body sections. A couple of inches into the plain black stocking part, they seemed interminable. Then, all of a sudden they seemed super long and the first ball was nearly complete.
I hadn’t mentioned in my previous blog posts but I made one of my standard alterations to patterns and used a tubular cast-on for all of the pattern pieces. I just love the neat edge that it produces. I used the Ysolda method for the sleeve- can’t remember if I did the same for the body but it doesn’t really matter. A tubular cast on is one of those things I prefer to do at home rather than on the move as it’s quite fiddly.
The current status is that the back is complete aside from alterations, the first sleeve is nearly ready to start the fair isle work and the second sleeve is my current travel knitting project. Since taking the photo, I have managed to start the fair isle on the front section too.
Pattern and yarn: She Loves Wool kit by Wool and the Gang
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