I finished my pineapple Tulip Skirt in plenty of time to take it on my minibreak to Hamburg. Here I am posing in front of some street art.
I posed in numerous other locations also. Here I am befriending a local fisherman.
I didn’t make many changes to the pattern. The size 10 is right for me, and I moved the pockets up as I always worry that my phone will fall out of the pockets on my original fuchsia version. I would probably make the pockets EVEN BIGGER in future. I would probably also use self-fabric rather than lining fabric if possible.
I have a feeling that this will be a great skirt to wear with sandals in the summer.
Fabric: 1m linen-cotton mix from SOI
My eyes locked on to this fabric from across a crowded room and I knew I had to have her. I really can’t resist a fruit print and these pineapples are so much fun! I instantly pictured myself in a cute skirt, frolicking joyfully during a mini-break. For a while, I thought that we couldn’t be together. The lady in the shop told me that the fabric was all used for online orders. I was heartbroken. But then I checked the website and was able to buy her there. She’s worth the postage.
I decided to take a risk and try to squeeze this skirt out of a metre of fabric. When I measured the last tulip skirt I made, it took 1.1m of fabric. I really hoped those 10cm wouldn’t cause me too many problems…
Nope! Most sizes could easily be cut from 1m of 145cm wide fabric. I didn’t even have to use a different fabric for the waistband facing.
Having seen the gorgeous sample in quilting cotton in the Sew Over It store, I decided to use lining fabric for the pockets. This cotton-linen blend is quite heavy. I used the pocket pieces for the Day Dress because the pockets on my first tulip skirt aren’t quite capacious enough for my liking.
Doing the pleats and darts was a breeze as the linen in this fabric allows it to hold a crisp fold. I’ve never worked with linen before, either as a knitter or a sewist, so it’s been fun to learn about a new fibre. I’ve just realised this skirt will probably crease like billy-o, but I’ll be too fabulous to care.
I wanted to overlock the pattern pieces as both the fashion fabric and lining fray easily. However, I ended up pulling out my trusty overcasting foot and finishing the edges that way. This is the most excited I’ve been about a project since my zebra shorts and I couldn’t wait to get to a sewing cafe.
I couldn’t find a suitably coloured invisible zip at Liberty or John Lewis, so I decided to use an exposed zip. I followed the same tutorial I used before. I’d forgotten how laborious it is to put in one of these suckers! It took forever. I also had to use a 7″ zip (8″ recommended in pattern), which gives me just enough wiggle room to get this thing on and off. Be careful of using a shorter zip for this skirt if you are pear-shaped!
I have to say that my perfectionist tendencies came out big time when installing the zip. I found myself getting very frustrated that the two sides weren’t symmetrical. Fortunately, I decided to give myself a little break from the machine and try the skirt on. I was very relieved that it fit! I decided to use my mother’s old trick of cutting some pattern pieces on the selvedges to save finishing those edges. The problem with doing that on the centre back seam was that I wouldn’t have been able to let the skirt out if it had been too small. I’m not sure I’ll do it again in future.
Even though I realised the zip looked absolutely fine when I tried the skirt on, I also noticed that the placement of the pattern isn’t amazing on the back. There are lots of pineapples cut in half. As usual, this is something that I would probably ignore if I bought this skirt RTW, but it bothered me that I hadn’t foreseen this problem. I just need to take it as a reminder to be more mindful of pattern placement when using such a bold print in future.
Fabric: 1m (145cm wide) cotton-linen mix from Sew Over It
Pattern: Tulip Skirt by Sew Over It (size 10)
I’ve got to admit that after my final class, I was worried that I would never finish sewing my Ultimate Shirt. The remaining tasks seemed very daunting for me to tackle on my own. But I went for it, and I’m glad I did!
Here’s how the shirt looks with my specially made tulip skirt. I re-did the hem, which I put off for months because I knew how dull it would be. I was right, it was boring and took two hours, but it looks much better. Having a steam iron (thanks dad!) also makes a big difference, although looking at these pics makes me realise it STILL needs more pressing.
I think this shirt is really only wearable tucked in, but shirt tucked into skirt worn on the waist is a look I rock at work a lot, so that’s fine.
Notes on steps taken after third class
Hand-stitching the cuff facing seemed okay as I had already used the same technique on the collar stand. Emboldened by my success, I attached the second cuff.
I next spent about an hour pressing and pinning the hem. Like my unicorn top, the hem looks shit in places, but I don’t want to redo it so I think this is something I will live with for now. I will mostly be wearing this shirt tucked in anyway. Looks like I have found my sewing nemesis- shaped hems.
The next step was scary. Buttonholes. I spent ages thinking about which colour thread to use, which turned out to be a bit of a waste of time. I don’t think I’ve ever machine sewn a buttonhole before because my mum lost the foot for her machine years ago.
I did something I normally never do- consulted the handbook of my machine for advice. I then used some scrap fabric to practice, and the resulting holes looked pretty good.
It was time. I tried on the shirt to ensure that a button would cover the fullest part of my bust, to reduce the risk of gaping. I then measured and marked each buttonhole, which worked out at every 7cm.
I did manage to make one really stupid mistake. I accidentally started one of the buttonholes on the ‘top’ mark instead of the ‘bottom’, meaning that it was about 2cm out. Next time I mark buttonholes, I will use different colours for the top and bottom marks to avoid this happening again.
Since my buttons are fluorescent pink, I knew this error would be very obvious. It was time to do something I had never wanted to do on such a light cotton voile. Unpicking. I practiced unpicking one of my practice buttonholes and managed not to break any of the threads in the fabric. Heart in mouth, I unpicked the errant hole on my blouse. I won’t keep you in suspense, dear reader. I survived, and I don’t think my silly mistake is too noticeable.
I’ve got to say, I absolutely love this outfit! Go me. I’m hoping to engage with Me Made May a lot more this year, and I think this outfit will be a key player.
I’m pleased to say that I’ve finished sewing my Sew Over It tulip skirt.
Having looked at the pictures, I still need to press the skirt some more, and I may redo the hem. I think it’s bunching a bit because I made it too narrow.
When I stopped my previous post, I still had lots of work to do on this skirt. Further issues I had surrounded the pockets. I had to pin the pocket openings of the two sides together to ensure that the openings lined up without gaping. If I make this skirt again, I will draft my own pocket pieces as I would like the pockets to be a bit deeper. I tried to freehand this a bit when I was cutting out, but it didn’t really work. The positioning of the pockets is also a bit low, so I might try to address that too.
The invisible zip insertion was also stressful. I may invest in an invisible zip foot for my machine in future. However, I’m very pleased with this one for a first go. The first time I inserted the zip, my stitching lines were around 2mm away from the zip’s teeth, so it was totes visible. However, I remembered the trick of moving your needle across to sew closer to the teeth, and this fixed the problem.
I also have to say that once again, I have found the sizing on this pattern totally off. Having measured a skirt that fits me perfectly, I cut a size 12, which is meant to give a 30.5″ waist on the finished garment. However, when I tried the skirt on before putting the zip in, I could see that it would be way too big on the waist. In the end, I had to take a 4cm seam allowance on the back seam (the only place to make the skirt smaller without a MASSIVE headache) for it to fit. Overall, I made the skirt 5cm narrower, which means that I should actually have cut a size 8. I almost always buy size 10 in RTW garments, and my tummy is my ‘problem area’ so I’m really not sure how that works. Still, a victory for making your own clothes and trying on as you go.
I went out and bought some matching thread before attempting to slip-stitch the hem. When I tried on again before hemming, I wondered if the bottom of the skirt was too poofy. But I don’t think it is. One of my weird things about sewing is that I often forget about how the garment will be used when I’m making it. For example, I will forget that you need openings to get in and out of a dress, or I will fail to factor in that a knee-length skirt probably shouldn’t be skintight.
Pattern: Tulip Skirt by Sew Over It
Fabric: 1.1m of wool crepe
Even though it’s still not finished, I decided to make something to go with my floral Ultimate Shirt. Julie, the instructor, made a throwaway comment about getting a pink skirt in the final class, which I initially dismissed because I don’t really wear pink. I just don’t think it suits me as well as other colours. However, the idea must have lodged somewhere as I found myself thinking more and more about a skirt project.
At first, I planned to finally tackle the pencil skirt. I should probably finish the Sew Over It pencil skirt that’s been languishing in my WiP pile for well over a year, but I’ve really lost my motivation on that project. I remembered seeing the Tulip Skirt in a sewing magazine a while ago and falling in love instantly.
The best thing about this skirt? POCKETS, BABY! Since SOI recently launched a PDF pattern, I decided to ignore my hatred of printing my own patterns and go for it.
I have a couple of wool skirts in my wardrobe that are incredibly useful workhorse garments; sturdy, smart-looking and easy to wear. My favourite navy skirt is a charity shop find that is starting to look a bit shiny, and the zip has a weak point in it that scares me every time I do it up. I’m hoping to create a garment to stand the test of time just like the navy one, so I decided to invest in some quality wool crepe for my new skirt.
Goldbrick Fabrics has become my favourite shop on the Goldhawk Road as I find the staff in there friendlier than most of the other shops. Fortunately they had some beautiful (though pricey) wools.
I wasn’t really intending on making such a statement garment, but the two colours that caught my eye, and that I thought would work with the ultimate shirt, were the two brightest. I decided to be bold and plumped for the hot pink.
Putting together the printed pattern wasn’t quite as horrifying as I remembered from the one other time I did it, though it still took well over an hour.
My beloved navy skirt has a 30″ waist so I decided to cut a size 12. After reading lots of conflicting advice about preparing wool, I decided to ignore all of it and hope the fabric was preshrunk. Real talk: I don’t wash my wool skirts that often anyway.
I did spend some time ironing a swatch of fabric to see if there would be any shrinkage. I used my new silk organza pressing cloth as I don’t want to risk scorching the fabric.
One thing that bothered me was the fabric recommendation given on the pattern, which clearly states that all sizes need 1.8m of fabric. My pieces only needed 1.1m. Actually I just measured and it turns out that my fabric is 1.56 metres wide, which is a non-standard width. Something to look out for in future.
Since decent wool crepe is over £20/metre, that’s kind of a big deal. I doubt I need two fuchsia skirts in my wardrobe, so I’m not sure what I’ll do with the leftover, which is about 0.8m.
Cutting out seemed to go fine, and I prepared the pleats on the front of the skirt and darts on the back. The next step was finishing the raw edges. I was concerned about this because I don’t have an overlocker (I wish I did!) and a previous attempt at zigzagging looked rubbish. However, the crepe frays quite a bit and I don’t think I’ll get a chance to pop to a sewing cafe any time soon.
Fortunately I found this very helpful tutorial on zigzagging by Tilly and the Buttons. She mentions using a special overcasting foot, and when I checked the accessories that came with my beloved Janome, there was one in there! Double zigzagging all of the edges took FOREVER but it looks okay, and I hope it will prevent my edges from fraying. It also used up two full (small) spools of thread and bobbins. I need to remember to buy matching thread for future projects.
Unfortunately, it wouldn’t be a sewing project of mine without at least one really stupid error. This time, when I was pinning the side seams of the skirt together, I noticed that one side was a lot longer than the other. Turns out that I managed to cut the pattern for the long version of the front of the skirt (the version I wanted to make), but the short version for the back pieces. What the hell is wrong with me?
Although I had enough fabric to cut out new back pieces, the idea of doing the darts and zigzagging again was too much. I held the pieces up to my body and, actually, I think that if I do a slightly narrower hem, the shorter skirt should still hit around my knee, which is the length I want. Fingers, toes and everything else crossed!