Another week where I haven’t had that much craft time. I’m moving out of my place in London for the time being. It just doesn’t make sense to pay rent when I don’t need to be here for work and I can’t even enjoy the city.
Here I am enjoying my local area. I was out collecting food from Island Ting Kitchen, a small black-owned vegan business near me. One action I’ve been taking is supporting Black businesses. I’m enjoying it! I highly recommend ITK if you’re in west London.
I also ordered some mind-blowing vegan doughnuts from Tastopia. Supporting these businesses feels like such a win-win. They get to do something they’ve chosen and I get to enjoy delicious food. I’ve been so happy to see how many black-owned vegan businesses there are in particular. The vegan community is pretty whitewashed. I will support these businesses as much as I can. I really hope they thrive.
Last Sunday I ripped out the second sleeve of my Sinister Catdigan/Oran do Chaora. Not only was the ribbing visibly larger, I had somehow done way more rows on the second sleeve than the first and it looked shit. Since the tail on my cast on was barely long enough, I just started over. I used this tubular cast on (twisted the knits on the second foundation row). I am working the ribbing on a 3mm needle. I don’t know why I did the number of rows of ribbing that I did on the first sleeve. It bears no resemblance to the pattern. Possibly I just got bored of doing the twisted rib. Either way, I will count the number of rows properly so I can match the second sleeve.
I actually had to rip out some of the sleeve a second time because they still weren’t even. I’m happy enough with how the two sleeves are looking now (no photo soz).
Predictably, as soon as I wrote about my struggles with my starter last week, my efforts to get it going bore fruit. The starter finally started to double in volume and I successfully made a crumpet!
Although you can cook and eat the excess unfed starter before it matures, I wouldn’t recommend it. Whatever you make will be very gummy. While I ate it for several days with no ill effects, I have a pretty strong stomach. There was a world of difference in my pikelet in the 24 hours before the starter began doubling and after. It actually smelled of bread while it was cooking. I couldn’t see anyone online addressing this issue so I hope my experience helps someone.
Creating the starter was a bit of a journey of self-discovery. Things I was pleased to be reminded of: I’m scientifically minded. I did my research and that helped me to figure out why the starter wasn’t rising. I am learning to be patient. I didn’t just throw it away when it didn’t go to plan.
Things I still find difficult: not being perfect. In the picture above, you can’t really see how much of a difference there was between the crumpets I made a week apart. That’s because I engineered the top photo to look better than it was by tearing the crumpet rather than biting it. The former made it look like it had a decent crumb structure while the latter revealed it for the mess it was.
Perfectionism is a double-edged sword. I don’t think I’d be where I am in life without my relentless striving for better. I know that it’s impossible to be perfect, I know it’s irrational, but that doesn’t stop me from wanting to be perfect. Perfectionism makes me pick holes in everything I do, and struggle to acknowledge my achievements and strengths. It makes me feel like a failure. It makes me feel like I can never be good enough, and that’s really hard. I’ve been working for a long time on being less hard on myself, and I think I’m getting better but it’s still a struggle.
I didn’t have time to try making a loaf during the week, which is a bit sad after all my work making the starter. I actually have more ideas for the excess than the starter itself. I’m dying to try focaccia and I’ve seen an amazing cracker recipe on Instagram. I’m a little apprehensive about making a proper loaf- it all seems to technical! Although I am looking forward to being that person who drops words like levain and autolyse into everyday conversation.
I found it pretty helpful to review the things I made in Winter 2018/9 so I’m going to review my makes from September, October and November 2018.
Corduroy cigarette pants
These trousers are certainly one of my most successful makes. I wear them all the time and think they are great. If you follow me on Instagram, you’ll probably have seen me complain that it is impossible to get a good picture of these trousers. I’m convinced they look fabulous in real life.
The corduroy seems pretty hardwearing thus far. I probably wear the trousers once per week. The texture on the cord is a little worn at the inner leg (which is where my trousers always wear out) but showing no signs of developing holes yet. I wonder if I should attempt some pre-emptive patching.
Reusable cotton pads
These make-up removal pads were a complete disaster and have been composted. They absorbed loads of liquid, which seemed wasteful, and I didn’t like the way the stranded cotton felt on my face. I replaced them with some washable woven cotton pads that I bought from The Source and I like those a lot better. However, I try to wash my face with water and a flannel where possible rather than using make-up remover.
Fortunately the other ‘zero waste’ item I made was a lot more successful. I use these cloths for washing-up and wiping down surfaces and they do a great job, I don’t have any pictures because they’re not that pretty. You’ll just have to trust me.
The hemp yarn isn’t especially strong, which means that the cloths develop holes now and again. My system is to rotate the two dishcloths that I made. Once one develops holes, I put it in the washing machine and then put it in the repair pile. It only takes around 20 minutes to repair them every month or so.
The dishcloth I made using larger needles was even more prone to wear and kind of an annoying size so it has been composted.
I did some work to fix up my zebra shorts, which were looking a bit shabby. They’ve certainly stayed in commission, though I don’t know how much more life they have left.
Really I need to make a second version of these shorts using a more hardwearing fabric.
December was a strange month for me. I was feeling super optimistic when I started drafting my review blog post. I had just got my new job and my life seemed to be on an upswing. Then, out of nowhere, I managed to break another finger. It happened at quidditch training, but it was strange because nothing actually happened. I threw a ball and all of a sudden my pinkie was pointing in the wrong direction. I thought it was a dislocation so it came as an enormous shock when, after three hours in A&E, I was told that it was badly broken and had my whole forearm put into a cast. I guess I must have had an underlying hairline fracture.
Breaking my finger affected me psychologically as well as physically. Having no use of my dominant hand left me feeling pretty helpless as well as unable to do what I normally would if I was ill- knitting. I couldn’t even cook for myself. Fortunately I wasn’t too depressed and managed to keep myself occupied by going to the cinema and reading.
A few days after the injury, I had to have surgery and now I have two metal wires in my finger. Although I was lucky that I had my operation under local anaesthetic (most surgeons do the procedure under a general, and I felt dreadful when I had one a few years ago), it took a lot out of me. I took four days off work, the most time I’ve had off in years. All of the plans I’d made about managing my last three months at my current job went out of the window.
Anyway, I did have some time to think about projects during my extended recuperation.
Current WiPs are my Ripple bralette, cat cardigan and these gloves, which are very nearly finished. I have a trip to southern Africa coming up and I need a suitable project to work on while I’m away. I have two projects in mind, but both will be gifts so I won’t write any more about them for now.
I’m planning to move again once I have settled in my new job, and one of my priorities will be finding somewhere with a sewing space. I’ve had several sewing projects cued up for some time. Hopefully this year I will manage to make my turquoise raincoat, at least one TC1617 blouse.
I’m also going to take my new job as an opportunity to slightly alter my weekday style and wardrobe. Since I’ll be in a more senior position, I think I’ll dress a little more formally. I’ve been planning for years to make a copy-cat version of my favourite pencil skirt, purchased secondhand a long time ago. I’ll use the Sew Over It ultimate pencil skirt as a starting point. I even have a remnant of nice navy blue wool ready to go.
If that works, I will also make a black version. I have a few shirts that don’t really work with navy blue (which is my main base colour). I even have quite a bit of magenta wool left over from my tulip skirt, which could also be pressed into use as a pencil skirt. While I wear the tulip skirt quite often, I’m actually not sure that the style really suits me.
While charity shopping a few months ago, I found a nice wool dress that was essentially a pencil skirt with a cropped boxy top layered over it. I didn’t buy it in the end because it was a bit too big, but I feel like it would be really cute to have a matching shirt for some of these putative pencil skirts. I love the shape of my short- sleeved Linden. I wonder how the raglan sleeve would work in a wool…
From my ramblings I’ve realised that I have the loose outline of nine items I’d like to make this year. I didn’t bother with a #2019makenine but I think I’ll do one this year to try and keep myself honest. I find making basics really boring so I have a bad habit of veering off and working on more fun projects. However, my basics get worn all the time so it’s time to buckle down.
I’m so excited to start a new sewing project. I haven’t had any time to sew for ages. I bought this fabric at least 18 months ago. I was inspired when I saw a similar fabric on Instagram, made up into a very cute top. This is my favourite leaf shape- I have three pieces of jewellery and a shirt featuring it. When I saw this in the Sew Over It fabric e-mail, it caught my eye straightaway. I won a Sew Over It voucher wearing my monstera blouse, so why not use it to make another?
This is the fabric. I bought 1.5m, which cost just over the £25 my prize voucher covered.
This project initially got hijacked by another sleeveless top project. This provides yet more evidence that I need to start projects very soon after buying the materials, otherwise I risk losing motivation.
I was a little torn between making another version with sleeves or a breezy sleeveless top for summer. I decided to opt for sleeveless. I didn’t wear short-sleeved tops to work for a long time because I was self-conscious about my tattoo, but I’m getting over that. I think I will add buttons to the front opening- I love an excuse to find tiny cute buttons- but omit the patch pockets. I think they will interrupt the beautiful large-scale print. Also pockets like that are useless. I’m very practical when it comes to clothing, so any details like frills, ruffles and decorative pockets aren’t for me.
When I first resumed sewing, I was all about the FBAs (full bust adjustments). I made my first adjustment on one of the very first dresses I made- a Tilly and the Buttons Bettine. I was excited by the prospect of properly fitting tops. However, more recently I have felt… almost resentful of having to make them. It’s hard to say why. For some projects, it doesn’t matter, but it is pretty important in this top. The olive version (size 12) I made is a little gapey in the shoulder region, while the white version (linked above, size 10) is too tight across the chest. It is very clear that a FBA is needed and so I decided to bite the bullet.
I traced off the front pattern piece and followed this tutorial for a full bust adjustment. I made a 1″ FBA, which will give me 2″ of extra wiggle room.
I followed this tip from Karen at Did You Make That and split the bust dart since it’s over 8cm. I kind of just eyeballed the split so I hope it’s going to look nice.
One slightly odd note is that when I marked my bust apex, it was higher than the original point in the pattern- you might be able to make out two small pink ‘x’s in the image above. However, a larger bosom is more subject to the effects of gravity, so normally the bust point would be lower. This theory is borne out in the fact that the darts on my two previous TC1617s are too high.
Even though I tried remeasuring a few times, I couldn’t figure out what I was doing wrong and just moved the bust point down by an inch or two. Again it was an eyeball job.
I’m hoping to get the fabric cut out before I go on holiday. I have to decide whether to try and sort a workaround for my lack of table at home (the only thing I think would work is sewing on the bench in the garden, but I don’t have a long enough extension cord) or avail myself of the sewing café at Sew Over It one Friday afternoon. I’m currently leaning towards the latter, though I am rapidly running out of free Fridays.
I really hope this blouse turns out nicely, since I would like to make another one from this beautiful fabric I couldn’t resist buying a couple of weeks ago.
I have now unsubscribed from the Fabric Godmother mailing list. I am too weak.
Pattern: Third use, original cost £3.22
Notions: Around £5
Total: Under £10!
I’ve been quite paranoid about my bike being stolen and my fears were partially realised when I returned to my bike one morning to find my waterproof seat cover gone.
The person must have really wanted it, since it was tethered to my bike seat. It hadn’t really occurred to me that someone would bother to take it. I was actually rocking a double seat cover situation. When I bought my bike secondhand around eight years ago, I was given a seat cover. The thief left the old one in the gutter.
To be fair, I can kind of see why.
Since it is now my only seat cover, I decided to give it some TLC. I like buying patches but I never know where to sew them. I used them to cover up some of the biggest holes.
I just hand-stitched them on.
The whole area at the bottom that encases the elastic is quite badly worn. I considered undoing it and appliqueing some ribbon over the top, but in the end that seemed too much work given that my sewing machine is still in a box following my house move. It doesn’t seem worth spending ages repairing an object I don’t really like all that much.
I think what I’ll do is wait until the brown part is beyond repair and then look into covering up the top (checked) part and replacing the whole brown section with some new fabric. I always hated the colour of this seat cover- brown is not my thing- but put up with it due to laziness/inertia.
To be honest, what is most likely is that I will buy a new seat cover next time I am in a bike-friendly city. I have so little crafting time and I want to dedicate it to passion projects.
However, it is nice to display some of my patches. The non-quidditch ones I picked up from a market in India. However, I really should stop buying patches because I still have quite a few for which I have no immediate use.
I fell in love at the London Knitting and Stitching Show around a year ago. The second I saw Lauren from Guthrie and Ghani’s Kelly anorak, I was gone. I immediately bought the pattern, zip and some of the beautiful waxed cotton they had in stock.
I had this Liberty tana lawn in mind for the lining from early on in the process. I think it’s a cute print but since buying I’ve felt that it’s a bit twee for a dress (even for me). However, I think the cotton lawn below goes better with the main fabric so I will use that instead.
I felt a bit weird asking to have photos taken in someone else’s coat, but also necessary.
Lauren made the 6 and I initially thought that I would do the same even though my measurements are closer to the 12. I am going to compromise and go with the 10.
I can see that the fit of the 6 across the shoulders is good, which means that what I probably ought to do is a full bust adjustment (FBA). I was reading someone else’s blog post in which she mentioned not liking making FBAs. I thought that was silly until I realised that I am exactly the same. When I first bought my sewing machine, I was quite keen on the old FBA and made one on my Bettine dress pattern. Since then… nothing. I think part of it is the fact that none of my RTW clothes have FBAs and yet they fit fine. Although, realistically, whenever I buy a shirt I have a choice to get a size that fits in the shoulders but risks gaping at the bust, or is slightly large in the shoulders with less risk.
For me personally I think it relates to my perception of my body. I was quite a bit larger when I was in my late teens and early twenties. My bust was absolutely enormous- I wore G cup bras. Since losing weight a few years ago, my bust has reduced a lot in both back and cup size. This has been such a relief and a big part of the reason I feel so much happier and more comfortable in my body. So, to me, I don’t have an especially full bust anymore. At the same time, most clothing and pattern companies draft to a B or C cup, so an E cup certainly is still an outlier.
When I wiggled around in the jacket a bit more, it was clear that I would need a bit more room. You can see in the side photo especially that the fit isn’t quite right. I’m so glad I risked social awkwardness to get the pics! I will also need to lengthen the sleeves and shorten the body. I really like the length of my purple SuperDry raincoat, which is shorter than the Kelly.
I’m hoping that I can try to enjoy the process of making this jacket. I’ve commented before that this has been something I have always found difficult- I am very outcome-oriented. However, this jacket will require a lot of patience from me. I will need to do extra things that are not in the pattern booklet. I will probably need to learn from mistakes.
Lauren’s blog post contains a lot of helpful information. I had a few dilemmas about this project, like whether to line or underline, how much to shorten the body. I paid £10 for a 26″ zip but really I want this jacket to be around 24″ long. I’m reluctant to spoil the lovely zip by shortening it.
Eventually I decided against buying the lining expansion pack. The main reason I would have bought it would be to tidy up the guts of the jacket.
I was also a little heartbroken to see that Guthrie&Ghani are now stocking the waxed cotton in yellow. Owning a yellow rain jacket is a small dream of mine. It’s definitely in the back of my mind that I may make a second version… Perhaps with a simple cotton lining for warmer days.
After doing some prep in early January, including buying the technical fabric to quilt my lining, I hit a roadblock. I didn’t have any thread in the correct colour. My work finally took me near the Goldhawk Road and I was disappointed to see that the shop where I normally buy my notions was closed.
I remembered that some stalls in the market sell bits and pieces and I managed to find some thread that matched my lining fabric. I didn’t feel comfortable using this random non-branded thread for sewing the shell of the coat, so I will probably wait until I am in the Oxford Street area to visit John Lewis or Liberty. But at least I can now make a start on the lining.
It has just hit me- have I become a thread snob???
I popped to Liberty but forgot that they have gutted their haberdashery section. I will have to make a trip somewhere else before I can start sewing the main fabric.
I found some time to quilt my lining recently. I followed the directions in Lauren’s blog post (linked above). I will say that it was quite tricky to get the lining to sit flat on the insulation. I found it helpful to roll the fabric up as you can see in the timelapse below. It’s also important to press your fabric before putting it on the insulation.
As Lauren says, the quilting is a time-consuming process. It took me several hours. But I enjoyed it- it’s quite meditative.
I am now ready to cut out!
- 2.3m waxed cotton from G&G £65.55
- Liberty tana lawn £23.25
- Pattern £16
- Zip £10
- Extra insulating material and snaps £30.60
- Thread £3
I bought this fabric just over a year ago, planning to make a third Day Dress (previous version 1, 2). I saw someone else using it at my disastrous silk cami workshop (Sew Over It were stocking it at the time) and fell in love. Although I like the Day Dress, my pink Macaron is probably the most flattering dress I have for day wear. I decided to have a go at making a version without the contrast bodice, which no one else seems to have previously attempted. I certainly could not find any blog posts about doing this even after extensive searching.
This post contains detailed notes about how I created a solid Macaron by combining the yoke and bodice pattern pieces. I will also describe how I lined this dress- I don’t think I did the best job, it’s more a case of notes for future learning.
I overlapped the bodice and yoke pattern pieces by 3cm and traced. On the front I also increased one of the darts by 5mm since some length seems to be taken out at the seam between the pieces. I probably should have done this on the waist dart but I took it out of the side dart- I don’t imagine this will make much difference. I just did the back straight and did not alter the shaping- I’m fairly confident this will work for my figure.
I also decided to make my life difficult by lining the dress. The neckline facing on my first Macaron is a travesty (partly my error, partly the pattern). At present I have only planned lining the bodice. I’ll see how I feel when I get to the skirt.
I easily got this dress out of 2m of fabric by book folding it. I nearly always do this and it saves loads of material. Pattern companies tend to massively overestimate the fabric requirements, as well as not having cutting diagrams that are as efficient as possible. It’s really wasteful and annoying. Bear mind that I also cut out two bodices.
I cut a size 10 with adjustments as described previously. I interfaced the waistband for extra stability. Since I had plenty of fabric, I decided to self-line the bodice so I don’t have to worry if the lining ever peeks out at the neck seam. I pinned and machine basted the darts as pleats in the lining pieces, trying to have the excess fabric fall in the opposite direction to the darts in the shell.
I made up the bodice as directed, following the same instructions for the lining. I joined the two pieces RS together at the neck. Note: do not finish the neckline edges before stitching.
I machined the bottom hem of the lining to the seam allowance between the bodice and waistband pieces at the front and back separately.
This is how the bodice looked just before I attached the sleeves. I’m very happy that I decided to line the bodice since the fabric is so delicate. It makes the dress feel much more classy and professional.
I attached the sleeves as in the pattern, to both layers of bodice and lining. I then finished the seam as one piece. I haven’t yet removed my hand-basting because I think it looks really cute.
I decided it would be silly to line the bodice but not the skirt. I cut out additional skirt pieces using the leftover lining from my coat. I shortened the pieces by about 3 inches and incorporated the selvedges at the bottom to save hemming (lazy sewing for the win!) I made up the skirt lining as directed, ironing the pleats in the opposite direction to those in the shell.
I had planned to attach the skirt and lining within the waistband seam allowance before I sewed the skirt to the bodice. However I wasn’t sure about having additional weight of the lining pulling down on the waistband piece. The fabric really is very delicate. Thank goodness I decided to interface it!
In the end I couldn’t think of another solution. Weirdly I had an issue with having a lot of extra length in my bodice compared to the skirt, but only at the front. I was able to ease it, but it took three attempts. When I tried the dress on, it looked weird. I tested the pockets and… they were on the back of the dress. I had seamed the wrong side of the skirt 🤦🏽♀️
My inability to tell left from right bites me again. I spent ages undoing the incorrect stitching and sewing the skirt together on the correct side. I then re-did the waist seam and it went together much more smoothly.
I tried on the dress and I’m really happy with the fit. I love the way this dress makes my figure look.
The last step was to insert the zip. That part was relatively pain-free. I hand-tacked the dress to the zip before stitching to ensure the waistband seams would line up- this definitely helped. I probably should have used a 1cm seam allowance rather than 1.5cm because the dress is a teeny bit tight at the waist. My makes normally give slightly with wear, so I don’t think it’s worth the bother of reinstalling. Now just the hem and a bit of finishing and this dress will be ready!
Fabric: 2m of viscose costing £18 (I paid £2.95 p&p for this and the fabric for my cloud tee). I also used less than a metre of viscose lining (a scrap so I will not cost this)
Pattern: £18 (second use)
Notions: All bought ages ago so no idea. Let’s provisionally say £5
Total: About £33
I’ve been meaning to sew myself a pair of trousers for winter and thought that corduroy would be perfect. I normally can’t resist bold patterns so the texture of the corduroy was a nice balance; a more mature solid garment that still has some interest to it. I love to wear navy as a neutral colour so I’m excited to add these to my wardrobe for the upcoming seasons.
This is my third pair of cigarette pants! I think they make a great addition to my blue pants and zebra shorts. I wrote a post for Minerva Crafts about these trousers so check out the full post over on their site for more details.
Just to note for next time, watch the grain line placement when positioning the pattern pieces to cut out as this affects fabric usage quite a lot. I possibly could have used less fabric if I had been more mindful of this.
These trousers are breathing new life into my autumnal wardrobe. I’m loving wearing them with a tucked-in shirt. It makes me feel all androgynous and cool.
Fabric 2m of 21 wale cotton corduroy provided for free by Minerva crafts. For the facings I used the leftover Liberty tana lawn from my first pair of Carrie trousers. All other notions came from stash.
Pattern Paid £120 for workshop and pattern was included. This is my third use.
One of my favourite purchases from Wilderness was this vintage jacket. I had been very tempted by a mass-produced capelet covered in holographic sequins. Relatively cheap at £25 or so, they were extremely popular at the festival. I held off, aware that such an item would only be useful for fancy dress and very much against my pledge to buy more mindfully this year. When browsing other stalls, I spotted this beaded jacket in one of the vintage tents.
Although it’s not my usual style at all, it really caught my eye. I tried it on and it fit perfectly. It had a lovely drape and weight to it. Another tempting factor was this.
The jacket has no labels in it and I have absolutely no clue about how much vintage beaded items normally cost. Still, the fact that it was reduced piqued the interest of my inner miser. The label also indicated that the jacket had been sent by Goldsmith Vintage (which funnily enough is quite near my work). The little shops around the Portobello area normally have good-quality items.
Anyway, I couldn’t resist and bought the jacket. Out in the Oxfordshire countryside the evenings were much cooler than they have been during the heatwave in London. I wore the jacket every night and it was surprisingly warm.
On my return to London, I had a bit more time to inspect the jacket properly. Being a maker helps one to appreciate fantastic workmanship (or, more likely, workwomanship). The jacket really is exquisitely made and finished. I’m sure the beading must have been done by hand, which would have been an incredible amount of labour. There were quite a few broken threads and I have a feeling that I lost some beads over the course of the weekend.
I looked up a few articles on repairing vintage beading. I couldn’t find much, though this blog post was quite helpful. Since I don’t have any beading stuff, I decided that I would just do what I could to prevent any more beads from getting lost. I inspected the jacket for broken threads. When I found them, I treated them like ends that need to be woven in on a piece of knitting. I knotted the threads underneath sequins and then hid the ends between the jacket and lining.
Of course, I don’t really know if this was exactly the right thing to do but I hope my instinct will help to keep this jacket wearable for a bit longer.
It was a learning process to figure out how to remove the threads without losing more beads, so I had a few sparkly casualties. I’m going to hang onto these beads and sequins since I might try and fill in some of the bare areas at a later time. Reading the article I linked really did get me interested in vintage beading and it might be something I start looking out for when I’m in secondhand shops.
I just love the subtle beading on the back. It reminds me of the night sky.
I spend a good few hours working on the jacket and it’s interesting to have a ‘project’ where the end is almost indistinguishable from the beginning. If it can give this beautiful item a good second life with me, I will consider the time very well-spent indeed.
The latest step in my quest to reduce my reliance on single-use plastics has been to make some cloth bags to carry with me. I mainly intend to take them when I shop at the Source, but I also think they will be very useful just to keep in my various bags for incidental purchases. I always try to keep a clean empty container with me, but I still get caught out quite often.
I used this tutorial as a jumping-off point. I accidentally got given an extra length of the cotton I bought to make a summer blouse, meaning that I had a little over half a metre left over. Since I have learnt to my cost that white is a terrible colour for facings, I decided to put it to use here.
I cut the fabric to various sizes. My only criteria were to have the print the correct way up, have bags that seemed of a sensible size (given that I don’t use them yet, so I don’t really have a sense of which sizes will be most useful) and waste as little fabric as possible.
I experimented a little with the construction because I wanted to use French seams on the inside of the bags. I found a way but I imagine there’s a better method so I won’t bother posting pics of how I did it. This is how the inside ended up.
Love me a French seam.
You can see that the top right corner looks a bit weird due to the way I
botched constructed the drawstring opening. They lie flat when right-sides out so I’m not bothered by that.
A fun aspect of this project was that I felt very free to make mistakes. On the second bag I sewed the seams on the top incorrectly, so that the channel for the drawstring was on the right side rather than the wrong side. I considered unpicking the overcast stitches before realising that it really didn’t matter which side the channel is on.
I used shoelaces as the closures. I took part in a colour run nearly four years ago and took a load of the laces they were giving out. I’m quite relieved to have finally found a use for them!
I have a rough colour-coded system to differentiate the sizes.
Blue = big
Pink = petite
Y = yeah, I couldn’t think of one for that colour
I am now aware of just how white this fabric is. I am planning to make a second set of produce bags so that one can go in the white wash and the other in the coloured wash. Being in your thirties is so boring and domestic at times.