I started to feel a bit less grumpy about the coat after getting a bit more sleep following the second class. I have a ridiculous number of things on at the moment and it’s hard to stay on top of it all.
I finished attaching the last piece of interfacing and sewed up some of the seams I was supposed to do in the first class. I managed to cut out all of my lining pieces. I had around 1m left (136cm wide). I was pretty lazy with the lining so could potentially have used less than 2m.
This week, I started to feel like I wasn’t miles behind everyone else for the first time. I attached the collar, which is very fiddly but the coat is starting to take shape.
I have a lot of pressing to do in the next week, as well as making up the lining and doing some work on the sleeves. However, it’s half-term next week and I have the day off on Monday, so I will have some breathing space. I’m hopeful that I will be able to get everything done to be able to come out with a finished coat.
Since I had only attended half of the first class at Sew Over It, I had a LOT of homework to do in the following week. I still had to cut out many of my paper pieces as well as all of the fashion fabric, lining and interfacing; test the fabric for how much steam it can take, test the interfacing, and fuse the interfacing to the fabric.
I had 1.2m of fabric left at this point- with one small piece to cut. Once more, I got fabric of a non-standard width from Goldbrick Fabrics. It’s 152cm wide. This is something to watch when fabric is over £70/m! However I’m kind of excited at the prospect of making a pencil skirt from the remnant.
I think that one of my pattern pieces is missing an alteration so most of the front pieces aren’t cut out. I also haven’t tackled cutting any lining yet. However, I cut and fused everything I was confident with.
After the class
Managed to cut out all of my fabric and interfacing, and fuse them together. The rest of the class was spent working on the pockets.
It’s quite nice to see my fabric and lining playing together.
I have to say I am not really enjoying coat class rn. I booked it before realising I was going to be crazy busy. Essentially, I have a stressful day at work, go and be stressed for three more hours, then get told to do a lot of stuff that I don’t have time to do during the week.
I do think it’s given me a bit more empathy for the kids I work with. Being stuck in a class, knowing that you’re behind and can’t catch up sucks.
Loads of homework again this week, and I’ll also be at a quidditch tournament in Edinburgh all weekend. We’ll see how I manage that.
I’ve wanted to take part in the series of sewing workshops to make the 1960s coat for ages, but the time was never right. At first, I was not an experienced enough sewist to undertake such a complex project. The workshop then became unavailable for an absolute age. So, when I saw that it was up and running again, I booked straightaway. I’ve been wearing some incarnation of a red coat for more than ten years now and my current version is really threadbare. I would have liked to replace it two seasons ago but red coats are not easy to come by. Now I’m going to try and make my own.
Photo taken from the Sew Over It website.
The course notes state that 3m each of fashion fabric and lining, so the first step was to go shopping. My job semi-regularly takes me near the Goldhawk Road and I hoped that this was where I would find the perfect red wool. I didn’t have a huge amount of time, so I just headed to my best-loved shops. I was tempted by a bolt-end of red crepe in Misan West- £50 for 5m was a bargain, but wool crepe isn’t really right for a winter coat. They also had some nice red wool with a sort of herringbone pattern (£35/m) that was my only other option.
Goldbrick Fabrics is my favourite shop on Goldhawk Road. They have a great selection, good customer service, which is very important to me, and they didn’t let me down. The woman who helped me pulled out a sample of a wool and cashmere mix that was utter heaven. A stunning shade of pillarbox red that felt as beautiful as it looked. I balked a little when I saw that it was nearly £80/m, but I had to have it. Yolo. The lady was willing to negotiate, so I thought it made sense to buy my lining there too. I am a huge fan of a jazzy lining, so I had to have this patterned purple viscose.
All in, I spent £220 on the fabric for this coat. The course was just over £160, which means that by the time I get buttons and interfacing, I will have dropped more than £400 on my new coat- double what I spent on my last (red wool and cashmere mix) coat from John Lewis.
I like to be clear about prices because people often don’t realise the cost- both financial and in terms of time- associated with being a maker. On the other hand, this is a wonderful opportunity. I will spend twelve hours in the company of an expert dressmaker learning how to make something that is literally tailored to my body and my style. It makes sense to invest in fabulous fabric when I have someone so experienced to guide me through the process of creating this garment.
I had to leave the workshop early (for very exciting reasons that I hope to be able to reveal soon) so only managed to alter the pattern.
I lost steam on my knitting again after getting near the end of my Wowligan. That project is on my summer to-do list, so hopefully I’ll get around to finishing off the button bands in the next couple of weeks.
I’ve got a couple of summer trips coming up where it will be nice to have a fairly straightforward project along with me. Something that caught my eye immediately was this beautiful Wonder Woman shawl. I’m not especially into comic books but I am into bold, graphic designs and getting more red into my wardrobe. I picked up some yarn on the Love Knitting website but the red was completely the wrong colour. I decided to finally head to I Knit London, which is currently my LYS, to pick up a suitably cartoonish shade.
I’ve been aware of IKL since my days as a fledgling knitter, when I accompanied them to Camp Bestival to volunteer in their tent one summer. It was good to finally get a chance to visit the store just eight short years later (seriously where does the time go?). I’ve got to say that I liked IKL. Gerard dyes his own yarns and I will definitely have to go back as his speckled wool would make a great jumper. I still have a speckled Humboldt sweater in mind.
Anyway, I picked up some red- a bit more cherry than I would have liked, but I couldn’t be bothered to trek to another yarn store. I had some fun using the swift and ball-winder to wind the yarn, helped by the ladies in the knitting group that was running when I visited. I hate hand-winding so much, it was great to be able to skip that step and be left with a professional-looking yarn cake.
So far the knitting on this pattern has been going well. I’m really enjoying the fact that this project is mindless enough for me to work on while I finally catch up on Game of Thrones. I didn’t get a chance to watch series 5 or 6 (though I did read the books a few years ago) and I’ve been loving bingeing them. The other advantage of knitting is that it stops me from checking my phone and therefore missing bits of the action.
It’s not that easy to get a decent picture because of how the shawl is constructed, but here’s how it’s looking so far. You can see that the W shape is starting to emerge.
Pattern: Wonder Woman Wrap (FREE on Ravelry)
Yarn: 1 skein each Ella Rae Lace Merino (Pineapple Soda) and Fyberspates Scrumptious 4-ply (Kiss)
I’ve called these the Loud and Proud socks on Ravelry because of the fabulous colour scheme of this yarn. The pattern is called Marmolejo, and it’s good in that it’s free but not the best sock pattern I’ve used otherwise. I chose it because I wanted to knit a contrasting heel, which looks best when knit as an afterthought.
I felt like I should offer my mum something nice for Christmas this year. Our relationship hasn’t been the easiest over the years but it’s in a pretty good place now. What better to mark that than a hand knitted present? Mum requested socks in her favourite colour and I scoured Ravelry for a suitable pattern. I’ve always made socks in stocking stitch in the past (appropriate) but found that they can get stretched out and baggy. So I wanted something ribbed. There’s something about ribbing that’s quite annoying. It’s such a useful pattern for keeping things flat yet stretchy, but the extra element of concentration required to move the yarn between knits and purls irks me. When I found the pattern for these Nemesis socks, I thought the garter rib might be a nice compromise. And since it’s on Knitty, it’s a free pattern (bonus). Here’s how they turned out.
I’m very pleased with how they turned out. I used Wool and the Gang 100% Baby Alpaca, which is the softest and snuggliest yarn I’ve ever worked with. It makes for lovely thick house socks. I just hope they won’t wear out too quickly. For anyone who wants to see a speeded-up depiction of the sock construction process, check out this GIF. Most edifying, even if I do say so myself. Overall, I would definitely recommend this pattern. The socks took about 3 weeks to make, working between 1 and 2 hours per day on very small needles.
Just to clarify, this is the name of the pattern rather than the recipient. Although I was reading something about considering the meaning behind the patterns we crafters choose and it’s interesting that for many years I probably did consider my mother my nemesis. Anyway, this is a beautiful pattern that does require more concentration than your standard sock but I think it’s worth it.
I’ve done a little messing with the pattern. I really like satin stitch for my heels because it seems much more durable so I did sl1p1 on the WS of the heel flap rather than P. It did alter the texture of the pattern a bit but I don’t think a non-knitter would notice.