A panoply of (sometimes) lovingly handmade crud.

Tag Archives: print

My eyes locked on to this fabric from across a crowded room and I knew I had to have her. I really can’t resist a fruit print and these pineapples are so much fun! I instantly pictured myself in a cute skirt, frolicking joyfully during a mini-break. For a while, I thought that we couldn’t be together. The lady in the shop told me that the fabric was all used for online orders. I was heartbroken. But then I checked the website and was able to buy her there. She’s worth the postage.

I decided to take a risk and try to squeeze this skirt out of a metre of fabric. When I measured the last tulip skirt I made, it took 1.1m of fabric. I really hoped those 10cm wouldn’t cause me too many problems…

Nope! Most sizes could easily be cut from 1m of 145cm wide fabric. I didn’t even have to use a different fabric for the waistband facing.

Having seen the gorgeous sample in quilting cotton in the Sew Over It store, I decided to use lining fabric for the pockets. This cotton-linen blend is quite heavy. I used the pocket pieces for the Day Dress because the pockets on my first tulip skirt aren’t quite capacious enough for my liking.

Doing the pleats and darts was a breeze as the linen in this fabric allows it to hold a crisp fold. I’ve never worked with linen before, either as a knitter or a sewist, so it’s been fun to learn about a new fibre. I’ve just realised this skirt will probably crease like billy-o, but I’ll be too fabulous to care.

I wanted to overlock the pattern pieces as both the fashion fabric and lining fray easily. However, I ended up pulling out my trusty overcasting foot and finishing the edges that way. This is the most excited I’ve been about a project since my zebra shorts and I couldn’t wait to get to a sewing cafe.

I couldn’t find a suitably coloured invisible zip at Liberty or John Lewis, so I decided to use an exposed zip. I followed the same tutorial I used before. I’d forgotten how laborious it is to put in one of these suckers! It took forever. I also had to use a 7″ zip (8″ recommended in pattern), which gives me just enough wiggle room to get this thing on and off. Be careful of using a shorter zip for this skirt if you are pear-shaped!


I have to say that my perfectionist tendencies came out big time when installing the zip. I found myself getting very frustrated that the two sides weren’t symmetrical. Fortunately, I decided to give myself a little break from the machine and try the skirt on. I was very relieved that it fit! I decided to use my mother’s old trick of cutting some pattern pieces on the selvedges to save finishing those edges. The problem with doing that on the centre back seam was that I wouldn’t have been able to let the skirt out if it had been too small. I’m not sure I’ll do it again in future.

Even though I realised the zip looked absolutely fine when I tried the skirt on, I also noticed that the placement of the pattern isn’t amazing on the back. There are lots of pineapples cut in half. As usual, this is something that I would probably ignore if I bought this skirt RTW, but it bothered me that I hadn’t foreseen this problem. I just need to take it as a reminder to be more mindful of pattern placement when using such a bold print in future.

Fabric: 1m (145cm wide) cotton-linen mix from Sew Over It

Pattern: Tulip Skirt by Sew Over It (size 10)


I was scrolling though Pinterest the other day, looking for pinspiration, when I was reminded of the Macaron dress I planned to make nearly two years ago.

I’ve got a wedding coming up in a few months, and I think this dress would be perfect. I immediately dug out the pattern pieces I cut over a year ago.

I’m pretty much planning for this project to be a toile. I have a weird love-hate relationship with the fabrics I chose. I never normally wear pink, but I couldn’t resist the pretty floral pattern and birds. I remain unsure about whether the blue looks good, or the top of the dress would pop more with a white contrast.

Anyway, it will be a pleasant surprise if I end up with a wearable dress. I’ve never bothered making a toile before, but I paid full price for the Liberty fabric and I’m really looking for perfection in the final garment. Macaron is quite an intricate pattern so I’m a little apprehensive about my ability to fix fitting problems. Eek!

I whizzed through the steps of constructing the bodice pretty quickly.

As soon as I tried on the bodice, I realised there were big problems. The fit on the waist was tight and the bust seemed okay, but I had a lot of fabric pooling in the back.

You can even see the bagginess on the hanger. I tried pinching in the side seams and tugging in various directions, but I couldn’t figure out how to make it lie flat. This is my first solo attempt at a fitted bodice.

I decided to trace a copy of the bodice pattern to make my adjustments. This is a bit of a case of locking the stable door after the horse has bolted- since I cut out the pattern pieces, I’ve lost the larger sizes. However, this way I still have a back-up in case my alterations somehow make the fit even worse.

I ended up deciding to book a private sewing lesson to get some expert fitting advice. I completed as many steps as possible to take along. I have to say, Macaron is surprisingly easy to construct given the polished final look of the dress.

Slashing the pleats to place the pockets was a bit scary, but I adore the final result. This is what the pieces looked like before my lesson.

Wish me luck!

Pattern: Macaron by Collette Patterns

Fabric: Viscose bought on holiday in Indonesia. The blue is some random fabric purchased on Goldhawk Road


I finished sewing my Bettine dress!

I made a few alterations to the pattern, including a full bust adjustment. I included a bit more information about the changes in my previous post.

Overall, I think this is a great pattern. The only minor comments I would have is that my neckline gapes a little, and I find there is a bit too much ‘blousiness’ in the bodice- I will shorten it in future.

Although I’d read that double gauze can be translucent, I thought I’d be alright because the double gauze I bought from the same supplier before was solid. All I can say is, white makes fools of us all!

I think the biggest issue is likely to be that the fabric creases quite badly. I’m just going to have to live with that as I seldom iron when I’m not sewing!

Pattern: Bettine by Tilly and the Buttons

Fabric: 3m double gauze, 108cm wide


I finished sewing my fairytale Cleo dress just in time for my thirtieth birthday, which was yesterday. Hence a finished object being presented on a day other than a Friday. Gasp! Behold my now-haggard form.


My 30th was a mix of immaturity- cake for lunch and going to a ball pit (albeit an adult ball bit)- and age appropriate activity. The evening was spent at the Newport Street gallery.


There’s so much discussion when you’re a woman turning 30, and plenty to think about. When is it time to worry about settling down and having kids? Do I want to settle down and have kids? Am I happy in the life I have created for myself over the past three decades? Am I too old to wear a mini-dress with little mushrooms on it?


I have few comments on the Cleo dress pattern. Overall, I think it’s cute though I’m still not sure whether the style actually suits me. The dress was a quick make- two evenings in total, including plenty of mistakes and unpicking. I think the most time-consuming part was sewing all the patch pockets. I found Tilly’s tips on working with corduroy very helpful.

I made the size 2, but I probably should have just gone for the 3. I let the side seams out a bit as the dress looks nicer on me with a bit more room around the hip area. I made the dress quite short, the hem was over two inches.

I can see no reason not to add in-seam pockets to this dress. I may add afterthought pockets to this mushroom dress if I feel it’s going to get a lot of wear.

Pattern: Cleo by Tilly and the Buttons

Fabric: 2m needlecord in print, plus 0.5m in plain. I had leftovers of both


I’ve been seeing quite a few Cleo dungaree dresses (pattern by Tilly & the Buttons) on soc meeds since the pattern was released. At first, I wasn’t sure about the whole dungaree dress thing (despite the obsession I developed over the Lazy Oaf Catafore, which led me to create my Cateralls). But, as often happens, the more I saw, the more I liked and I have now jumped firmly onto the bandwagon.

I decided to make the patch pockets out of plain black needlecord to break up the pattern a bit. Even though I think the mushrooms are adorable, they are very bold. I ordered the plain black needlecord online, and was disappointed to find that it is less black than the background of the mushroom cord. However, I couldn’t find any needlecord IRL in west London, so I will be proceeding nonetheless.


This is how the two cords look together. I love the way the black creates an effect of negative space on the print.

I dithered for a while over whether to cut  a size 3 or 4. According to the measurements given, the 3 could potentially be on the small side. However, a lot of the Cleos I’ve seen online look like they err on the large side, and I mostly wear a 10 in RTW clothing. So I decided to go for the 3.

Due to the crazy fabric plus my laziness, I will not be doing the front and back seams on the dress pieces. You can just about see in the pic below that I marked off 1.5cm from the centre of the front and back pattern pieces to account for the seam allowance.

I was hoping to gain access to an overlocker for an hour or so to finish the edges of the pieces before I proceed. In the end, I used my trusty overcasting foot.

I also considered adding in-seam pockets to this dress, but no one else seems to have done this, and I  was  concerned there was a reason not to. In the end, I couldn’t be bothered but it may be something I consider if I make another version of this dress.


I’ve finished my holiday shorts!


The cutting out and machine sewing took about fifteen hours. I’m a bit baffled by the sizing on these shorts. My original cigarette trousers, a 10, are quite big, but these shorts are on the small size despite only being an 8 at the waist, and grading up to a 10. I also forgot that there is an error in the waistband piece of the pattern, which nearly caused me a big problem as I didn’t have any leftover fabric to cut out a spare.

Here I am trying them on. I had to let out the crotch and side seams a little. At first, I was stressed out because the waist looks a bit crap, but then I pulled my t-shirt down and remembered that the waistband will never be on show. It can be hard to maintain perspective when you have spent hours and hours working on something.

Overall I would say that I am very happy with this make, which, sadly, is unusual. The fabric only cost £12.20 including delivery, so the total cost of the materials was well under £20. And I think it’s safe to say that I am the only person in Rio strutting about in hot pink zebra pants.


Pattern: Cigarette Pants by Sew Over It

Fabric: 93x112cm remnant of cotton, plus about 0.5m of contrast fabric


I was idly scrolling on some full website the other day when BAM! I spotted a remnant of hot pink fabric printed with zebras. I had to have it. And not just because I wanted to write fuchsia some more.

I’m going on holiday soon, and I am seriously lacking in the shorts department. It’s so hard to buy anything other than hot pants, which I just feel uncomfortable wearing without tights. So the obvious solution was an exquisitely tailored pair of pink zebra shorts. Easy.

These wil be Shark Shorts 2.0. Although Yikes! is probably my favourite fabric print on earth, the shorts have some issues. They were winged based on the Ultimate Trousers pattern, and I think the end result has some issues. I prefer a more meticulous approach to craft.

This time, I am using the Sew Over It Cigarette Pants pattern. My original trousers aren’t a perfect fit, and I think the problem is the waistband, so this time I cut the waistband in a size 8, grading out to a 10 in the rest of the trousers. Since I have only just over a metre of fabric and little time, I decided not to attempt pattern matching at all. I hope this won’t come to bite me in the zebra-clad arse.

I’m using the leftover double gauze from my Unicorn Cami as my lining fabric. Loving how the two prints look together.

Even though this is meant to be a quick make, I couldn’t resist finishing the edges of my pocket facings with black bias binding. You’re meant to overlock, and I didn’t want ugly zigzagging showing. I think it looks really cute.

This is my progress after an intense five hour sewing session, having come home from work to find the fabric waiting for me.

Sewing is such an interesting experience for me. I find it totally immersive and addictive. I almost forget to breathe as I am so focused on the task at hand.