When I purchased the kit for my first pair of Joy mitts, I ended up buying two kits in order to qualify for get free delivery. When a friend came out, I thought she might like some mittens to demonstrate her pride too.
There was quite a bit of yarn left over from making the first pair- nearly enough to make a third mitt, though I did have to do quite a bit of splicing so that I used up pretty much every inch of yarn.
I took the leftover yarn as one of my projects when I went to Africa in January. This is as far as I managed to get before I ran out of the main colour. I’m hoping that, if I am careful with what I have left, I will get three pairs of mitts from the two kits. I think it’ll be an interesting game of yarn chicken to try and eke out every last centimetre of wool. Though I wouldn’t say I’m wasteful with yarn, generally I do have more than I need for each project so I don’t need to worry about, for example, leaving a really long tail when I cast on.
Pattern and yarn: Joy kit by Ysolda Teague
Details: Size small using 3.5mm needles
Despite the many, many mistakes I made when knitting these little mitts, they are finished and have been presented to my friend for her birthday.
Unfortunately I had a senior moment and forgot to take any pictures of the finished item apart from this one of them blocking. Maybe I will get a chance for a snap in the future.
Here is a slightly dodgy phone pic showing how they look on the hand. The blocking evened the mitts out a bit, and my friend’s hands are a little smaller than mine, so I think they will fit her beautifully.
The only substantive change I made was using a smaller needle. I also did a tubular cast-off because I am obsessed with fancy cast-on and cast-off edges. I have a second kit so there is a strong chance that I will make another pair of these little beauties.
I loved this pattern for a cute pair of rainbow mitts ever since I saw it on Ysolda’s Instagram well over a year ago. The kits popped up again, probably because it’s Pride month, and I couldn’t resist this time. My good friend Paula’s birthday was coming up and I thought these would make a great gift for her.
I’d also seen some wonderful pins that Ysolda was stocking, so the purchases justified one another and enabled me to get free shipping. I just had to get this pin of a woman with beautiful natural hair. Representation matters! I bought two Joy kits in the end because I can see myself making this project for someone else too.
There are mistakes on both flags, which is a bit of a pity because the flag is probably my favourite part of the pattern. On the first, I misread the pattern and somehow missed that each colour row is two garter rows rather than one. I’ve never done double knitting before, but I’m still a bit mystified as to how I failed so badly at reading. I managed to do the process correctly on the second mitt, but somehow did two rows of red rather than one (facepalm). Maybe I read the same section of the pattern twice? Another shocking reading failure on my part.
I was on a tight deadline for this project because I wanted to give them to Paula on time. This meant that I did not correct the errors. I didn’t notice the mistakes in the first flag until I was working on mitt 2, though I had noticed that it looked wonky. Paula doesn’t knit and I’d be surprised if she notices anything untoward.
I did, however, manage to make yet another huge error that could not be ignored. I accidentally made two left mitts once I had finished the fair isle on the second one. This was a mistake that I couldn’t really let go so I unravelled.
Weaving in the ends was a slight pain but these mitts are finally on the blocking mat. I should be able to give them away at the weekend.
Pattern and yarn: Joy kit from Ysolda
Ravelry project page
Overall, I’m very happy with how my plain version of the Colette Macaron dress turned out.
It felt good to be able to use my skills to make the changes I wanted to this dress. I did look for some guidance on line, but when I couldn’t find anything about altering the pattern, I decided to go my own way. I was aware that my sewing improved a lot over the past couple of years, but I don’t consider myself an especially advanced sewist. I had a lot of help with my most complex projects, including the only thing I have ever lined properly (my coat). However, I definitely have picked up tips and tricks from Julie that helped me.
That being said, the guts of the dress turned out to be a bit of a mess. Even though it felt good to follow my own instincts when it came to the lining, this remains something I am not experienced at doing. Next time I want to line a garment, I will follow a proper tutorial.
I kind of went halfway in between lining and underlining the dress, when I probably should have just stuck with one method. Another problem was the fiasco with the skirt (described in my last post, which has a lot more details about what I did). I had already used a French seam (definitely incorrect in this situation) on the side with the zip. I decided to slightly fudge the redo of the seam, which doesn’t affect the outside but looks like a dog’s dinner inside.
On the plus side, I have been reminded that a lining (however inexpertly installed) makes a garment feel so much more luxurious. This dress feels much more ‘proper’ than any of the ones I have made before.
I haven’t covered up the waistband seams yet. At some point I plan to slip-stitch some ribbon over the whole waistband area. But I decided to leave it for now. If the lining overall had been more successful, I would care more about how the inside looks. Life just feels too short at the moment. I’m not one of those people (yet) who needs the wrong side of their makes to be as beautiful as the right side.
While I was making this dress, it occurred to me that sewing is a form of 3D puzzle. I am generally a bit bemused by adults doing things like Lego, but dressmaking really does use a similar skillset- lots of spatial problem-solving. Spatial awareness is definitely a weakness of mine, though it’s improved in leaps and bounds during my adulthood. It feels pretty good to exercise those muscles.
Coming in at under £35, this dress is one of my cheaper makes. The viscose was quite inexpensive even though it seems like nice quality to me. I suppose it is quite thin. I don’t understand fabric costings at all! I feel like this is the kind of dress that would sell for £60-70 in Oliver Bonas.
I bought this fabric just over a year ago, planning to make a third Day Dress (previous version 1, 2). I saw someone else using it at my disastrous silk cami workshop (Sew Over It were stocking it at the time) and fell in love. Although I like the Day Dress, my pink Macaron is probably the most flattering dress I have for day wear. I decided to have a go at making a version without the contrast bodice, which no one else seems to have previously attempted. I certainly could not find any blog posts about doing this even after extensive searching.
This post contains detailed notes about how I created a solid Macaron by combining the yoke and bodice pattern pieces. I will also describe how I lined this dress- I don’t think I did the best job, it’s more a case of notes for future learning.
I overlapped the bodice and yoke pattern pieces by 3cm and traced. On the front I also increased one of the darts by 5mm since some length seems to be taken out at the seam between the pieces. I probably should have done this on the waist dart but I took it out of the side dart- I don’t imagine this will make much difference. I just did the back straight and did not alter the shaping- I’m fairly confident this will work for my figure.
I also decided to make my life difficult by lining the dress. The neckline facing on my first Macaron is a travesty (partly my error, partly the pattern). At present I have only planned lining the bodice. I’ll see how I feel when I get to the skirt.
I easily got this dress out of 2m of fabric by book folding it. I nearly always do this and it saves loads of material. Pattern companies tend to massively overestimate the fabric requirements, as well as not having cutting diagrams that are as efficient as possible. It’s really wasteful and annoying. Bear mind that I also cut out two bodices.
I cut a size 10 with adjustments as described previously. I interfaced the waistband for extra stability. Since I had plenty of fabric, I decided to self-line the bodice so I don’t have to worry if the lining ever peeks out at the neck seam. I pinned and machine basted the darts as pleats in the lining pieces, trying to have the excess fabric fall in the opposite direction to the darts in the shell.
I made up the bodice as directed, following the same instructions for the lining. I joined the two pieces RS together at the neck. Note: do not finish the neckline edges before stitching.
I machined the bottom hem of the lining to the seam allowance between the bodice and waistband pieces at the front and back separately.
This is how the bodice looked just before I attached the sleeves. I’m very happy that I decided to line the bodice since the fabric is so delicate. It makes the dress feel much more classy and professional.
I attached the sleeves as in the pattern, to both layers of bodice and lining. I then finished the seam as one piece. I haven’t yet removed my hand-basting because I think it looks really cute.
I decided it would be silly to line the bodice but not the skirt. I cut out additional skirt pieces using the leftover lining from my coat. I shortened the pieces by about 3 inches and incorporated the selvedges at the bottom to save hemming (lazy sewing for the win!) I made up the skirt lining as directed, ironing the pleats in the opposite direction to those in the shell.
I had planned to attach the skirt and lining within the waistband seam allowance before I sewed the skirt to the bodice. However I wasn’t sure about having additional weight of the lining pulling down on the waistband piece. The fabric really is very delicate. Thank goodness I decided to interface it!
In the end I couldn’t think of another solution. Weirdly I had an issue with having a lot of extra length in my bodice compared to the skirt, but only at the front. I was able to ease it, but it took three attempts. When I tried the dress on, it looked weird. I tested the pockets and… they were on the back of the dress. I had seamed the wrong side of the skirt 🤦🏽♀️
My inability to tell left from right bites me again. I spent ages undoing the incorrect stitching and sewing the skirt together on the correct side. I then re-did the waist seam and it went together much more smoothly.
I tried on the dress and I’m really happy with the fit. I love the way this dress makes my figure look.
The last step was to insert the zip. That part was relatively pain-free. I hand-tacked the dress to the zip before stitching to ensure the waistband seams would line up- this definitely helped. I probably should have used a 1cm seam allowance rather than 1.5cm because the dress is a teeny bit tight at the waist. My makes normally give slightly with wear, so I don’t think it’s worth the bother of reinstalling. Now just the hem and a bit of finishing and this dress will be ready!
Fabric: 2m of viscose costing £18 (I paid £2.95 p&p for this and the fabric for my cloud tee). I also used less than a metre of viscose lining (a scrap so I will not cost this)
Pattern: £18 (second use)
Notions: All bought ages ago so no idea. Let’s provisionally say £5
Total: About £33
I managed to finish my second Linden sweater using the beautiful Atelier Brunette fabric I bought at the Knitting and Stitching show. Overall I’m pretty happy with my first attempt at sewing with sweatshirting. I was able to finish this project in time to take it on a mini break to Barcelona.
I was so glad to have an extra layer since it was a surprisingly chilly weekend in Spain. It would not have been my first choice of item to wear at the quidditch tournament I was playing at, but it was a welcome addition.
I think Linden brought us some luck because we won! I got a gold medal to match the golden flecks on the fabric.
I had hoped to get to a sewing cafe to use an overlocker for this project, but I didn’t have time in the end. I think an overlocker would have produced a better result. However, I did make a mistake with the neckband (put the seam at the centre front), which would have been harder to rectify if I had used an overlocker. I didn’t have the time to fix the neckband at the time, but I will replace it in future if it bothers me.
I don’t think it was a good idea to cut the sleeves on the cross-grain so I wouldn’t do that again. I don’t think the sleeves being on the cross is causing any huge issues, but still. On the plus side, I now have enough fabric left to make a colour-blocked version.
Details and costs
Fabric: 1.7m Atelier Brunette terry- £38.25
Pattern: Linden by the Grainline Studio- £14.90 (second use)
It feels a bit wrong to be sewing a sweater after ten years of knitting nearly all of mine. This project jumped to the top of my queue because I’ve got a weekend away in Barcelona coming up and I think this will work better as a layering option than a knit sweater.
I’m planning to make the version without the band at the hem. I find that sweaters that pull in at the hip emphasise parts of my body that I don’t like. I have a sweatshirt from Uniqlo that has precisely this problem. I’m hoping that having more of a straight line will be more skimming and give me the silhouette I prefer- it certainly works in the wearable toile I made. It was useful to measure the Uniqlo sweater (the only raglan sweatshirt in my wardrobe) to give me a sense of the dimensions I’m aiming for.
Uniqlo sweatshirt dimensions
Sleeve length (good) 27″
Bust (a bit roomy) 21″ measured flat
Front length without band (decent length) 17.5″
The pattern says to use ribbing, but a lot of the versions of Linden on Instagram use self-fabric and it looks good.
I managed to get all of the pattern pieces out of 1m of fabric, but that did mean having the sleeve cut perpendicular to the other pieces. I think 1.7m (as stated in the pattern) would be needed for a directional fabric, though that would mean quite a lot of waste.
Fabric: 1.7m Atelier Brunette terry £38.25
Pattern: £14.90 (second use)