I managed to finish sewing my wearable toile of the Grainline Studio Linden sweatshirt and I’m absolutely thrilled with the result.
As I mentioned in my last post, I was a bit worried about how the jersey and scuba would play together. There was some puckering around the neckline due to the very different weight and stretch of the two fabrics, but fortunately this isn’t too noticeable when wearing. You can see it in the pic below.
I love the look of View B of the sweatshirt with no binding at the bottom- I really don’t like that shape for my body. It’s worth noting that the length is pretty short- when I raise my arms, my midriff does get exposed and I have a short body. It’s hard to judge whether the 6 is the correct size because of the amount of positive ease. I think I will wear a little more before deciding on the size for my next Linden.
I think I will have a go at making the next one using an overlocker. The domestic machine actually handled this pattern fine, but I think I would like a more professional finish when I’m using the expensive Atelier Brunette fabric.
At the Knitting and Stitching Show, I bought some beautiful sweatshirting to make my first Linden. However, having fabric issues with my third Lark made me realise that it probably wouldn’t be wise to use such beautiful (and expensive) fabric without a bit more testing.
I bought this printed jersey from Sew Over It around a year ago. I fell in love when I saw it in their newsletter. even though I wasn’t so sure when I saw it in person, I bought 1.5m since I had schlepped all the way there. My initial plan was to make a long-sleeved Lark but I realised very quickly that it would be too much of the print. I’ve kept a small sample of the fabric with me ever since, hoping to find a matching plain navy jersey but no luck.
When I was looking through my remnants for something to take to the boxy bag workshop, I rediscovered the textured dark navy jersey remnant. This piece was purchased from SOI as well and had been a real bargain (£5).
I’ve decided to put the two together to make a wearable Linden toile. I plan to use the nautical stripe for the front and back, broken up by the dark navy sleeves and collar. The fabrics are quite different weights. I’m just going to hope that doesn’t cause any problems.
I’m quite happy with my plan. I will get to try out the Linden to see how I like the neckline (necklines are my current big thing). I can also see how I like sewing it on my domestic machine. My Lark woes have me thinking it might be worth using an overlocker at a sewing cafe for constructing basics from stretch fabrics.
I decided to cut the size 6. Now that I have cut it, I’m pretty sure that the dark navy fabric is scuba. I understand that Linden is pretty straightforward to put together so I’m hoping to finish this soon.
Costs: Around £30
Textured navy fabric: £5 for 1.1m
Boat print fabric: Around £20 for 1.5m
I used around half a metre of each fabric
As I often seem to, I made the rash decision to sew a garment for holiday about three days before going, when I really didn’t have sufficient time. As a result, I only got two hours of sleep the night before my flight and ended up cutting my airport arrival uncomfortably fine. However, I am pretty happy with these trousers so I will forgive myself.
Aside from the mishap with the missing pattern piece (I must have left it behind after the workshop), this was a lovely and straightforward make. Really the perfect counterpoint to the coat.
I made the elastic on my first Carries too tight. I think I had some kooky idea about wearing them high-waisted. These are a lot more comfy.
It’s been surprisingly chilly in India so very happy I took the time to complete this make.
Pattern: Carrie trousers by Sew Over It. Size 10 with extra length
Fabric: 1.5m Liberty tana lawn
I’ve had plans to make a second pair of Sew Over It Carrie trousers with the Liberty fabric I bought in their sale since… well, since I bought it at the beginning of the year. I was a bit concerned that they’d be too similar to my original Carries, but I thought that these would be super useful on my trip to India, so I decided to forge ahead.
These trousers used around 1.5m of fabric. I felt that the ladder print looked pretty similar either way up- I would have needed close to the 2m I had if I’d cut all of the pieces going the same way. I paid £22.50 for the fabric, which isn’t bad for Liberty tana lawn (in fact it’s half price). The print is called Howells Ladders B. I had in my mind that it was Jacob’s ladders, which is rather different.
Just when I thought everything was going swimmingly, I realised that I was missing a pattern piece- the back waistband. Fortunately I was able to use my previous Carries and the pattern pieces to calculate how big it should be.
Put the waistband together and it seemed a bit snug when I tried it on. Quickly realised that I hadn’t added a seam allowance to my pattern piece. D’oh! I initially planned to fudge the trousers and waistband together, and try to ease out the 3cm discrepancy. I’m glad I decided to be sensible and instead cut out a 6cm rectangle to add into my waistband. Fudging it would probably have ended up taking more time and looked crap.
I made few changes to the pattern. Used French seams on the legs. Used 4cm elastic because the thicker elastic in my original pair has a tendency to fold in half, which annoys me.
Pattern: Sew Over It Carrie Trousers. Size 10 with additional length.
Fabric: 1.5m Liberty tana lawn
I just about finished sewing my dress in time for the wedding. If I ever mention starting a garment with less than a week before the event I am due to wear it, someone please slap me. This dress jumps straight to the top of the list of most complex garments I have ever made. The difficulty was due to a combination of altering the pattern and working with tricky and costly fabrics. However, as has fortunately been the case often in my craft life, she who dares wins!
My initials are MEAD, so I was kind of tickled by this sign.
This was my first time lining a dress. I underlined the bodice and lined the skirt with lovely navy viscose. I stupidly cut the skirt lining too short, so I had to fudge lengthening it with some ribbon. I didn’t make the best choice in selecting velvet ribbon- though pretty, it’s much stiffer than the fluid viscose- but actually it looks okay under the voile.
For the first time, I added snaps to the dress to stop my bra straps peeking out. It worked pretty well! Here you can also see the guts of the dress- probably the best wrong side finish I’ve ever achieved.
This was such a fun summer wedding. So much so that I forgot to take any pictures except the few next to the sign on the way! Thankfully Glory posted this candid picture that shows the back of the dress.
I love how the scooped back turned out. I will most likely incorporate this change into any further Southports.
Here are my two lovely Southports.
I’m hoping this will be the last work-in-progress post for my League jumper. I was really chugging away on this project until the Ravellinics came along and I switched almost exclusively to my Aubergine Rainbows sweater. In my previous post, I had just started working on my first sleeve.
As well as working on my sleeves, I decided to block the body pieces before attempting any seaming. I can’t say that blocking is my favourite part of the knitting progress, but I did find the smoothing of fabric quite meditative this time. As I think I have mentioned before, somehow my row gauge for this project is way off and I didn’t notice until I had nearly finished the front piece. I decided to continue regardless, so during the blocking I focused on trying to block the pieces to the measurements on the schematic.
I also blocked the sleeves in the same way, but unfortunately all the pictures I took came out too blurry for the blog.
The seaming is super challenging because you are seaming highly visible parts of the sweater, which means you really have to aim for perfection. I spent a solid 2.5 hours sewing while watching Days of Future Past (don’t you dare judge), and I only managed to join one sleeve at the shoulder. That’s probably about 30cm.
I wrote a few months ago about art (craft) reflecting life and I am seeing some parallels again. Seaming is the kind of activity where your conscious mind is pretty occupied, leaving the unconscious to roam free, making connections. Much like connecting the sleeves and body of a jumper. I’m hoping that after a year of uncertainty last year, things are starting to come together for me as I prepare to enter my thirties.
Seaming, when it goes well, is amazing. The two things you made become one thing that is more beautiful than the sum of its parts. Really it’s feminine magic.
Four pieces start to look like one garment. You can also see that I have picked up the stitches for the neckband in this pic. Not much more to go!
Yarn: Titus by Baa Ram Ewe
Pattern: League by Veronik Avery
I recently became a gang maker for Wool and the Gang, who are a really interesting company with some truly wonderful yarns and simple, cool patterns including this Zion Lion hat. I was amazed to hear that someone bought the first one I made, then a friend requested one in the same colours. These colours.
These hats are a nice simple pattern and chunky knits seem popular at the moment, so they’re a great winter project. Here’s a couple of pics of it in progress. I don’t have a 12mm circular needle so used straights and cast on 2 extra stitches for seam allowance.
I thought knitting flat would help the stripes to be jogless but it didn’t really work so I used the ends of the yarn to neaten the right side like so.