This pair of gloves has been a long time in the making! I cast them on around a year ago when I was returning to Finland, which is where I purchased the yarn for them. However, they are not as long in the making as the jacket that I specifically intended them to go with.
One mitten shell is a little bit uneven because I made it when my broken finger was still in a pretty bad way. But I don’t think anyone other than me would notice.
This is essentially the only type of glove that I wear. It’s the third pair that I’ve made and I still love the pattern and finished item.
December was a strange month for me. I was feeling super optimistic when I started drafting my review blog post. I had just got my new job and my life seemed to be on an upswing. Then, out of nowhere, I managed to break another finger. It happened at quidditch training, but it was strange because nothing actually happened. I threw a ball and all of a sudden my pinkie was pointing in the wrong direction. I thought it was a dislocation so it came as an enormous shock when, after three hours in A&E, I was told that it was badly broken and had my whole forearm put into a cast. I guess I must have had an underlying hairline fracture.
Breaking my finger affected me psychologically as well as physically. Having no use of my dominant hand left me feeling pretty helpless as well as unable to do what I normally would if I was ill- knitting. I couldn’t even cook for myself. Fortunately I wasn’t too depressed and managed to keep myself occupied by going to the cinema and reading.
A few days after the injury, I had to have surgery and now I have two metal wires in my finger. Although I was lucky that I had my operation under local anaesthetic (most surgeons do the procedure under a general, and I felt dreadful when I had one a few years ago), it took a lot out of me. I took four days off work, the most time I’ve had off in years. All of the plans I’d made about managing my last three months at my current job went out of the window.
Anyway, I did have some time to think about projects during my extended recuperation.
Current WiPs are my Ripple bralette, cat cardigan and these gloves, which are very nearly finished. I have a trip to southern Africa coming up and I need a suitable project to work on while I’m away. I have two projects in mind, but both will be gifts so I won’t write any more about them for now.
I’m planning to move again once I have settled in my new job, and one of my priorities will be finding somewhere with a sewing space. I’ve had several sewing projects cued up for some time. Hopefully this year I will manage to make my turquoise raincoat, at least one TC1617 blouse.
I’m also going to take my new job as an opportunity to slightly alter my weekday style and wardrobe. Since I’ll be in a more senior position, I think I’ll dress a little more formally. I’ve been planning for years to make a copy-cat version of my favourite pencil skirt, purchased secondhand a long time ago. I’ll use the Sew Over It ultimate pencil skirt as a starting point. I even have a remnant of nice navy blue wool ready to go.
If that works, I will also make a black version. I have a few shirts that don’t really work with navy blue (which is my main base colour). I even have quite a bit of magenta wool left over from my tulip skirt, which could also be pressed into use as a pencil skirt. While I wear the tulip skirt quite often, I’m actually not sure that the style really suits me.
While charity shopping a few months ago, I found a nice wool dress that was essentially a pencil skirt with a cropped boxy top layered over it. I didn’t buy it in the end because it was a bit too big, but I feel like it would be really cute to have a matching shirt for some of these putative pencil skirts. I love the shape of my short- sleeved Linden. I wonder how the raglan sleeve would work in a wool…
From my ramblings I’ve realised that I have the loose outline of nine items I’d like to make this year. I didn’t bother with a #2019makenine but I think I’ll do one this year to try and keep myself honest. I find making basics really boring so I have a bad habit of veering off and working on more fun projects. However, my basics get worn all the time so it’s time to buckle down.
It’s funny looking back on my review of 2018. While I haven’t actively thought about that blog post much, I have actually taken action in many of the areas I wrote about. In fact, I think this often happens to me- I reflect on something, then those thoughts slowly percolate in my everyday life and I make changes without even really noticing.
This year I slowly accepted how unhappy I was in my workplace. While I liked my colleagues and schools, I was generally unfulfilled and languishing in my career. I started putting feelers out and thinking about applying for a more senior position elsewhere. My confidence was knocked a bit when I didn’t get shortlisted for the first job I applied for. So it came as a bit of a shock when I did get an interview for the second job, and even more of a shock when I was appointed!
Fun fact: I realised on the morning of the interview that I must have donated my old navy jacket when I moved. So I wore the jacket I bought for my Joker costume.
Doing all the negotiation to change jobs proved super stressful, which is part of the reason why I have barely blogged in the past couple of months.
Another huge thing that has happened this year is finally embracing my natural hair texture. I cut all of my hair off in April and I’m so happy I finally took the plunge. One day I will write a full blog post about it.
Shall I mention craft now? As last year, my craft output has continued to decline. Part of the reason for that is practical- I don’t have a sewing space where I’m living at the moment. I finished sewing one dress in January, and that’s it for the year.
I do need to re-repair both of my pairs of jeans, so I plan to visit the Sew Over It sewing café soon. I will try and get a few repairs done but it may be a while before I have the opportunity to sew another garment.
Knitting-wise, I completed four projects. Three were gifts and the other is my Mermaid Humboldt sweater, of which I am very proud.
I’m proud to say that my purchasing has taken a huge downturn as well. This year I have bought three items of clothing new- a bikini, a cotton wrap and a summer dress. To be honest, I regret buying all three. I didn’t really need them and they were impulse buys. While I am comfortable with adding things to my life in a mindful way, this is not what I did with those items. It’s not something I’m going to beat myself up about, but I do want to keep learning and working towards living in the most sustainable way I can.
It doesn’t help that my craft time has been so significantly curtailed. Aside from the stress of changing jobs, I took on a trainee in September so my role was busier than usual anyway. In fact, I bought a skirt (secondhand of course) that didn’t fit properly and I took the decision to get it altered by a tailor rather than attempting to do it myself. Since I have such limited time, I really need to allocate those resources carefully. Deciding to outsource a tricky alteration means that I can use that time to do something else. It’s so funny to notice the change in the relative importance of time and money over time. I am in the privileged position of being able to choose to pay others to do some tasks for me, and I am so grateful for that.
This leads conveniently into sustainability, the other area in which I have taken significant action in my life this year. While I’m still more plant-based than fully vegan, I am proud to say that I have not cooked any meat in 2019. I’m not sure whether I feel the need to be a strict vegan or not. I like to have a bit of flexibility in my life in general, and give myself the freedom to choose non-vegan options occasionally. At the same time, sometimes I feel bad when I cave in, or at least I don’t enjoy the food as much as I would have thought. I guess this is just something for me to continue to explore and reflect on in the coming months and years.
I’ve finally managed to get some pictures of my mermaid Humboldt sweater! I finished knitting it months ago, but it was far too warm to wear it for some modelled pictures. I took the sweater up to Edinburgh, where I was competing with my quidditch team in Highlander Cup VII (we won by the way) and managed to get some pictures.
All in all, I spent over a year working on this project. I consider that to be time very well spent. I was able to transform two garments that weren’t getting any love into a new sweater that I hope will bring me joy for many years to come.
When I first learnt to knit ten years ago, I was definitely more of an ‘item’ knitter than a ‘process’ knitter. I was desperate to finish projects, sometimes staying up all night to get them done. As the years have gone on, I’ve become aware of how important it is to plan a project. To swatch, to measure, to research yarn. As I’ve spent time on these preparatory stages, I’ve started to enjoy them for their own sake. I feel confident that all the work will pay dividends. And there is pleasure to be taken from the planning itself- from being meticulous, from experimenting and thinking deeply about what I am creating.
Fortunately, this fits in perfectly with my burgeoning anti-consumerist values. Just because you’re a maker doesn’t make you immune from the pernicious influence of fast fashion. It’s easy to feel like you need to churn out a certain number of projects each month, or that you need to compulsively buy yarn or fabric for your stash. I don’t want to become a Smaug enviously guarding a big pile of fibre. I want a carefully curated wardrobe full of items that I enjoy making and wearing.
This is probably the most alterations I have made to a pattern:
- Very different gauge
- Worked pattern with less ease than recommended
- Held yarn triple to incorporate ombre effect
- Provisional cast-on and tubular cast-off used throughout
- Altered neckline
I also did so much ripping that I have probably knit this sweater 1.5 times:
- Unravelled a load of the body because I wasn’t happy with the ombre
- Unravelled most of a sleeve to incorporate all of my remaining turquoise yarn
- Unravelled the neckline twice to get it to look the way I wanted
I’m glad that I am much more at peace with ripping and re-knitting these days. Again, it is part of the process.
Humboldt by Anna Maltz
3 skeins Malabrigo sock
4 balls Rowan Kidsilk Haze*
2 balls Rowan Kidsilk Haze Glamour*
I have nearly one ball of the lightest blue Kidsilk and a couple of small balls of the sock yarn remaining
*I held the Rowan yarn double, which is why I used so much
Original cost of materials
Sock yarn: £39
Kidsilk: £50-60 (six balls @8.95 = £53.70 but I can’t remember what I actually paid)
Cost of additional materials
Two balls of KidSilk haze @ 8.95 each = £17.90
Previous posts in this series
The international feminist craft swap is done and dusted! I have to say it was such a lovely experience for my first ‘proper’ craft swap.
I knitted my second Funkopop pussy hat. As I mentioned in my last post, the colourway is also called pussy hat. Here it is being modelled. I believe that Deidre is planning to customise this pop, so I’m really looking forward to seeing how she turns out. I didn’t even know that people customised pops because I am super behind the times as always.
Now we come to the really exciting part- my fabulous quilted items.
I think the Serena-inspired pillowcase came out beautifully. I haven’t purchased a pad for it yet- partly because I feel it’s too lovely to use. I really can’t wait until the day I have my own house so that it can take pride of place in my favourite crafting swap.
Deidre also surprised me with a bonus gift- the cute mug rugs emblazoned with the sentiment create the things you wish existed; create the world you wish existed. I will certainly try my best to do my small part in fulfilling that mantra.
You can check out more of Deidre’s amazing quilting over on her blog. I look forward to continuing our relationship through our blogs. This swap has reminded me of the amazing side of the internet, in opposition to the more scary and disturbing side.
For some reason, I’ve been more prone to shopping over the past month or so. I’m not sure if it’s just because I’ve been a bit stressed out and feel the need to buy myself presents to give myself the illusion that life is worth living. When I received a Kate Davies newsletter saying that her dyed shades of buachaille were on sale, I knew that my credit card was likely to take a hit. I love to support small female-led businesses when I can.
I ended up buying a kit to make the Oran do Chaora cardigan.
I got the blue colourway, which is called between weathers. I love the way Kate’s work is inspired by the natural world around her. Luckily the pattern was included because I thought that it was included in Inspired by Islay, of which I have a copy, but I was wrong.
When I was clicking through Ravelry looking for inspiration pictures, I remembered the Sinister Catdigan that I’ve had saved in my favourites for a while. I just love the way the kitties look.
I’d seen that someone had knitted a plain Oran do Chaora. My initial (mean) thought was that it was silly since the cables are the main feature of the pattern. But then I started to wonder whether I could incorporate a colourwork yoke into the cardigan. I wear a lot of blue and have a RTW navy blue cardi that I wear a lot already. I feel like a cute cat cardigan could add a lot to my life.
I dug through my stash to see what I could use for the contrast colours and I’m thinking about the leftovers from my She Loves Wool sweater.
I like the way the colours look together, but I am a little apprehensive about using two such different yarns in the same garment. Buachaille is a relatively rustic and sheepy yarn (for me), while sugar baby alpaca is super soft and feels a bit more processed. There is also a slight difference in my gauge. However, I am drawn to the idea of using the yarn that I already have rather than buying something new.
I think I’m going to steam ahead regardless. Oran do Chaora is knit from the bottom up, so I can always unravel and re-knit the yoke if I find that the alpaca really doesn’t work. I haven’t quite decided yet whether to buy the sinister catdigan pattern. I’m pretty sure that I could recreate the yoke without needing to purchase the pattern, but I also feel that the designer has created something very cool and unique and should be remunerated for that. I prefer the cardigan style of ODC so the fair isle will most likely be the only design element I use from the other pattern.
As always, I’d forgotten how boring it is to knit flat stocking stitch- though not quite as bad as the long stretch of ribbing. As usual, I used a tubular cast on (Ysolda method) because I love the way it looks. I’m sure no one else will ever notice this little detail, but it’s still worth the extra time to me. As I also often do, I forgot that you’re meant to knit the ribbing on a slightly smaller needle. That’s something that I don’t think makes a big enough difference to re-do, so I will be leaving it.
Yarn: Buachaille by Kate Davies
Pattern: Oran do Chaora x The Sinister Catdigan
I’m so excited to start a new sewing project. I haven’t had any time to sew for ages. I bought this fabric at least 18 months ago. I was inspired when I saw a similar fabric on Instagram, made up into a very cute top. This is my favourite leaf shape- I have three pieces of jewellery and a shirt featuring it. When I saw this in the Sew Over It fabric e-mail, it caught my eye straightaway. I won a Sew Over It voucher wearing my monstera blouse, so why not use it to make another?
This is the fabric. I bought 1.5m, which cost just over the £25 my prize voucher covered.
This project initially got hijacked by another sleeveless top project. This provides yet more evidence that I need to start projects very soon after buying the materials, otherwise I risk losing motivation.
I was a little torn between making another version with sleeves or a breezy sleeveless top for summer. I decided to opt for sleeveless. I didn’t wear short-sleeved tops to work for a long time because I was self-conscious about my tattoo, but I’m getting over that. I think I will add buttons to the front opening- I love an excuse to find tiny cute buttons- but omit the patch pockets. I think they will interrupt the beautiful large-scale print. Also pockets like that are useless. I’m very practical when it comes to clothing, so any details like frills, ruffles and decorative pockets aren’t for me.
When I first resumed sewing, I was all about the FBAs (full bust adjustments). I made my first adjustment on one of the very first dresses I made- a Tilly and the Buttons Bettine. I was excited by the prospect of properly fitting tops. However, more recently I have felt… almost resentful of having to make them. It’s hard to say why. For some projects, it doesn’t matter, but it is pretty important in this top. The olive version (size 12) I made is a little gapey in the shoulder region, while the white version (linked above, size 10) is too tight across the chest. It is very clear that a FBA is needed and so I decided to bite the bullet.
I traced off the front pattern piece and followed this tutorial for a full bust adjustment. I made a 1″ FBA, which will give me 2″ of extra wiggle room.
I followed this tip from Karen at Did You Make That and split the bust dart since it’s over 8cm. I kind of just eyeballed the split so I hope it’s going to look nice.
One slightly odd note is that when I marked my bust apex, it was higher than the original point in the pattern- you might be able to make out two small pink ‘x’s in the image above. However, a larger bosom is more subject to the effects of gravity, so normally the bust point would be lower. This theory is borne out in the fact that the darts on my two previous TC1617s are too high.
Even though I tried remeasuring a few times, I couldn’t figure out what I was doing wrong and just moved the bust point down by an inch or two. Again it was an eyeball job.
I’m hoping to get the fabric cut out before I go on holiday. I have to decide whether to try and sort a workaround for my lack of table at home (the only thing I think would work is sewing on the bench in the garden, but I don’t have a long enough extension cord) or avail myself of the sewing café at Sew Over It one Friday afternoon. I’m currently leaning towards the latter, though I am rapidly running out of free Fridays.
I really hope this blouse turns out nicely, since I would like to make another one from this beautiful fabric I couldn’t resist buying a couple of weeks ago.
I have now unsubscribed from the Fabric Godmother mailing list. I am too weak.
Pattern: Third use, original cost £3.22
Notions: Around £5
Total: Under £10!