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Tag Archives: Kate Davies

I already wrote about the substantive making of my Port Charlotte jumper, but I added a few elements to make it ‘more Christmassy.’ Even though I knit this sweater specifically for Kirstie’s Handmade Christmas, I was very clear that if I was going to invest so much time (and money) in a project, it had to be something I would love in its own right.

The words on the front are simply some chain-stitch embroidery. A top tip that really helped with this (thanks Jane) was to baste on the design with cotton first, to give myself a guideline. The only time I had to do it was on the train from London to Dorset, hence the uneven appearance. I’m definitely going to remove the embroidery once Xmas is over and done with.

I wore my jumper out and about on lovely day out in Bristol with my friend Jane to get some pictures. Here we are being geeks on the open-topped bus tour.

The yoke looks just as beautiful from the back.

I think this jumper fulfils its purpose of looking good with waisted skirts and dresses.

I STILL cannot pose for pictures.

Something that I wish I’d had some more time to work on was the light-up element of this jumper. I’ve been interested in incorporating lights into my knits for a few years now- this was my reason for backing a project on Kickstarter about making light-up cards.

The card kit didn’t really translate into wearable tech, but I backed another TehnoChic project that came with a load of cool LEDs, which were perfect for this. If I’d had more time, I would probably have knitted little pockets behind the sweater to hold the batteries. In the end, I just slapped them on using Velcro! I’ve been too lazy to get the LEDs out again since the filming, so they’re not pictured in this post.

If you want to see more about this sweater and see how I got on in the Christmas jumper knitting competition, you can see my second small screen appearance of the year at 5pm on Thursday 14th December on Channel 4. I imagine it will be available on demand after that (I hope so because I won’t actually be home when it’s on).

Pattern: Port Charlotte by Kate Davies. I made size 4 and my gauge was pretty much spot on.

Yarn: Titus by Baa Ram Ewe. Around 2 skeins White Rose, Gobstopper mini skeins and some Jamieson&Smith jumper weight from my stash

Ravelry project page

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I can finally reveal the sweater that took up every minute of time I had available in late September. It’s Port Charlotte by Kate Davies, and I made it for a secret reason that I hope I will be able to talk about soon.

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I had three weeks and two days to knit a whole jumper. Including getting hold of the wool.

Port Charlotte is a pattern I coveted from the moment I saw Kate Davies post about it on Instagram. I have always been obsessed with rainbows, and I thought the design looked so clean.

I used a tubular cast-on throughout. I just love how it looks even though it’s a massive pain to do. I used Ysolda’s method, since I couldn’t figure out how many stitches I needed to cast on using the Brooklyn Tweed method.

Note for future me: do not use a smaller needle for the Ysolda tubular CO. After knitting the cuff, I realised that the cast-on was way too tight, so I decided to knit on a bit and use the sleeve as a swatch-in-the-round. It’s just as well I did- the gauge on the sleeve was quite different to the gauge square I knitted (back and forth) on the same size needles for my League sweater. The difference is so substantial that I need to knit a different size (4 rather than 3). So this was definitely one of those mistakes that turned out to be important.

Made some errors due to the lack of planning time I had for this project. I forgot to take into account that this pattern has bracelet-length sleeves, which is not a design choice I would normally make. However, the sleeves are made to fit that way so I just decided to follow the pattern.

I also cast on the body (the tubular CO took FOREVER) without thinking, and forgot that I am making this a cropped jumper. This means that I really cast on too many stitches. Rather than re-doing the CO, which would have destroyed my soul and taken too long, I decided to make the waist decreases in the ribbing. I’d never seen this done in a pattern so  worried it would look bad, but I have so little time for this project that I just have to plough on and hope for the best.

I did most of the knitting on a yoga retreat I happened to be going on during this time. I managed to finish the first sleeve in London, then cast on the rest of the pieces before setting off. I knew there wouldn’t be any wifi on Silver Island, so I didn’t want to risk drama with the tubular CO. This is what the sweater looked like when I was in Athens, the evening before I got the bus to the retreat.

For the week of the retreat, if I wasn’t doing yoga or eating, I was knitting.

Fortunately I had nice surroundings while I knit yard after yard of plain white stocking stitch.

The yoga helped stave off the RSI I’d started to feel in my wrist after a few days of intensive knitting. Having a digital detox was also a big help as I seem to use exactly the same muscles and tendons for knitting and swiping.

I did my cast off on the plane back to London.

Used Ysolda’s tubular BO. It was a stressful experience because I didn’t put in a lifeline, so couldn’t afford any mistakes. Fortunately it turned out fine.

I added some extra decoration to the sweater to make it more Christmassy. I’ll reveal all in a Friday post once I know when the episode is going to be aired.

Pattern: Port Charlotte by Kate Davies. I made size 4 and my gauge was pretty much spot on.

Yarn: Titus by Baa Ram Ewe. Around 2 skeins White Rose, Gobstopper mini skeins and some Jamieson&Smith jumper weight from my stash

Ravelry project page


Since I had the stirrings of a wish to knit while I was laid up ill on the sofa, I bought a Wowligan kit from the Kate Davies website. Ever since Kate started producing her own wool, I’ve been itching to try it. None of the kits were quite speaking to me until these ones for cute baby cardigans were released.

I knit up a couple of swatches and soon cast on. I got gauge on 3mm needles. Since I couldn’t find any other small circulars, I used 2.25mm needles for the rib. I was a bit worried that the ribbing would be too small and look silly, but actually it looks great.

I was wondering whether Buachaille might replace Titus as my go-to yarn for sweaters. I think Buachaille is wonderful for wool. It softens up after blocking and has a lovely drape. However, it is still a tad itchy for my sensitive skin. Still, great to try a new product made by a small business that I’m keen to support.

Quite a few American knitting bloggers I follow mention knitting during meetings and at conferences. I never know whether this is a standard ‘thing’ in America, or something they have pioneered themselves, but it’s definitely not common here in the UK. As a psychologist, I know that keeping your hands busy with activities such as doodling can actually enhance concentration. However, it’s not widely accepted for adults to do anything other than stare in rapt concentration at the speaker (or play with their phone under the table).

While I don’t feel comfortable enough to ask to knit in team meetings at work (yet), it is something I’ve started doing when I’m attending training. I think I feel freer because I generally don’t know the other people there. Anyway, doing so really works for me, and gave me several hours of free knitting time on the body of this little cardi, which otherwise might have been quite dull going.

The sleeves are going super speedily! I used 2.5mm DPS for the rib and went back to 3.5mm for the stocking portion.


Pattern: Wowligan by Kate Davies

Yarn: 3 skeins Buachaille in the Furze colourway, provided in kit from website


As I’ve mentioned numerous times, my obsessive passion for knitting has taken a nosedive over the past few months. I think that this is partly due to becoming a highly competent knitter. I don’t feel particularly challenged by prospective knitting projects. Another part is dissatisfaction with some of the garments I have created. Since you are creating shaped fabric as you knit, once an item is finished, it’s finished. If there’s something you don’t like about it, often that’s a case of tough luck. 

There’s also a limit to the number of knitted garments that a wardrobe can take. Realistically, I don’t wear knitted jumpers that often. They are a bit casual for workwear, and if I’m looking for comfort, I usually reach for a RTW sweatshirt or hoodie rather than one of my creations. 

I think this is why sewing has started to interest me so much more. You can create a much wider variety of clothing, and home-sewn items are less radically different to shop-bought than handknit to machine knit. 

However, the experiences of knitting and sewing are vastly different. For me, sewing is highly immersive and addictive. I fly through the steps, desperate to discover the result of my fevered work in front of the machine. I scarcely breathe. This is partly my personality- being outcome- rather than process-oriented (something I try to work on). It’s also a side-effect of my being a relative novice. When I first started knitting, I would occasionally stay up all night working on a project. However, I also think it’s partly due to inherent differences in the two activities. 

This is a very long-winded way of saying that I miss knitting. As an attentionally impoverished millennial, I am basically incapable of sitting still. I’ve noticed that I’ve started playing stupid games on my phone while I’m watching TV. This used to be knitting time.

I haven’t forced myself to do any knitting during my fallow period. But recently my interest in yarn has started to pick up. After reading a very interesting blog post by Tom of Holland, I picked up a copy of Indigo Knits, a wonderful book about working with denim yarn. 


I’m considering starting a denim cardigan. I love denim and the idea of triple denim (jeans, denim shirt and denim cardigan) intrigues me. Dare I embrace the taboo?

I also bought Inspired by Islay, Kate Davies’ most recent publication. 


I mainly bought it because I adore the Port Charlotte yoke. 


Heart eyes emoji. 

This jumper is everything to me. I’m holding off on starting because I need to consider whether there is a gap in my wardrobe for her. I would like a cropped sweater to wear over skirts and dresses, but I’m not sure whether this is the right candidate. 

I also bought some of Kate’s Buachaille wool. I’ve been wanting to try it ever since it was released. So far I’ve just made a swatch. 


So, some stirrings of wanting to knit, and a small project to work on are positive signs. I think that even holding off on starting Port Charlotte represents progress. A mistake I’ve made over and over is starting projects without sufficient thought and research. Knitting a garment is slow, labour-intensive and expensive. I owe it to myself as a craftsperson to put in the legwork to have the best chance of ending up with something I love.


I feel like just posting a load of emojis and exclamation marks. I’ve heard somewhere that a picture is worth a thousand words. Feast your eyes on this.

Here’s more of a close-up.

Honestly I can hardly believe I made this.

Here are a couple of pics demonstrating the difference that blocking makes.


This sweater represents about two months of significant work. I estimate that the yoke alone took 24 solid hours.

Hence the three WiP Wednesday posts (links 1, 2, 3). Several people have asked me whether I’m also going to do a Christmas jumper. The answer is a resounding HELL NO. Even if I was ready for another project this intense, I definitely wouldn’t be able to finish it before at least February.

The finishing was also a challenge. I ‘unzipped’ a crochet provisional cast on for the first time and it was s a nightmare! Definitely dropped a few stitches.

Picking up the stitches on the hem took about two hours, then the tubular cast off took at least another two hours. However, it really makes the garment look more polished so I think it’s worth it.

Happy Friday peeps!