I’ve been working on sewing my first version of the Threadcount 1617 shirt. I bought the olive fabric on a whim from a Cotton Reel Studio remnant sale at least a year ago, knowing it would probably be used for a wearable toile. Once I got it, I had the idea that it would make a cute garment with a mandarin collar. When I spotted someone’s version of Threadcount 1617 on Insta, I saved it and then promptly forgot the whole thing for several months.
While going through my saved images recently, I remembered the shirt. A cursory google revealed that someone was selling it on eBay and it arrived as a birthday present to myself.
I have a gap in my wardrobe for smart-casual tops. I basically have striped long-sleeved t-shirts, denim shirts and fancy collared blouses. Nothing that would look smart-ish with jeans for work. As my body and tastes change with time, I increasingly like the way I look in tops that fit in the shoulders and bust but are relaxed around the midsection.
I love the fit of this shirt. It would have looked frumpy on me as a chubby twenty-something (which I still am in my head) but it looks chic on my more mature, slimmer frame.
My space print top measures around 41″ in the bust. I decided to cut a size 12 in the hope that any extra ease would prevent the buttons from gaping. Since this is a relaxed fit shirt in a drapey fabric, I don’t think a little extra room will matter too much.
This pattern has a really good layout for cutting (a lot less wasteful than other patterns I have used), which was a little bit of a concern since my fabric was 140cm wide rather than 150cm. However, I had plenty of fabric. The pattern has LOADS of markings to transfer, which I found extremely tiresome. However, it is worth doing.
There were also quite a few pieces to cut out of interfacing. As you can probably tell, I initially intended to trace this pattern but there were way too many fiddly pieces so I gave up.
The construction of the shirt is a little more tricky than any other written patterns I have attempted independently. Making the front opening was a head-scratcher for me! I think it looks okay overall, even though the bottom edge is a bit wonky and I think it is likely that holes will form in the corners.
- Carefully check tension for sewing a single layer of drapey fabric (reinforcing the neckline)
- Be very careful when reinforcing- mark before doing. This will have a significant effect on the final look
- Use fray check in corners
- Because the fabric frays so much, I used French seams on the side and sleeve seams. DO NOT use a French seam on the first sleeve seam above the opening. Also be mindful of this issue on the bottom hem
- My machine seems to handle viscose better with a regular foot than a walking foot
- If making view C again, shorten by 4″
Overall I am pleased that I decided to make a wearable toile of this top. It has a lot of details I was doing for the first time. It would have been stressful to make using fabric I cared about more. I already have the supplies to make a second version. I quite enjoyed the trickier construction and am surprised to find myself looking forward to doing it all again.
Pattern: Threadcount 1617 View C size 12
Fabric: 169cm viscose remnant (140cm wide)
Fabric: £10.89 (including delivery)
Notions: Around £5
Total: About £19
I just about finished sewing my dress in time for the wedding. If I ever mention starting a garment with less than a week before the event I am due to wear it, someone please slap me. This dress jumps straight to the top of the list of most complex garments I have ever made. The difficulty was due to a combination of altering the pattern and working with tricky and costly fabrics. However, as has fortunately been the case often in my craft life, she who dares wins!
My initials are MEAD, so I was kind of tickled by this sign.
This was my first time lining a dress. I underlined the bodice and lined the skirt with lovely navy viscose. I stupidly cut the skirt lining too short, so I had to fudge lengthening it with some ribbon. I didn’t make the best choice in selecting velvet ribbon- though pretty, it’s much stiffer than the fluid viscose- but actually it looks okay under the voile.
For the first time, I added snaps to the dress to stop my bra straps peeking out. It worked pretty well! Here you can also see the guts of the dress- probably the best wrong side finish I’ve ever achieved.
This was such a fun summer wedding. So much so that I forgot to take any pictures except the few next to the sign on the way! Thankfully Glory posted this candid picture that shows the back of the dress.
I love how the scooped back turned out. I will most likely incorporate this change into any further Southports.
Here are my two lovely Southports.
My first Southport dress turned out to be a fairly straightforward and rewarding sewing experience. I realise the waist tie is way too long but for some reason I wasn’t ready to cut it when I wore this dress for the first time.
Notes about the changes I made can be found here.
Pattern: Southport dress by True Bias
Fabric: 1m Liberty tana lawn
This was the first year that I’ve had enough handmade items to participate properly in Me Made May, and I must say I absolutely loved it! I tend to vacillate between dressing very carefully, and just grabbing a well-worn item from my wardrobe and chucking it on. Me Made May encouraged me to think about my clothing each day. I even accessorised!
It’s also been a lot of fun to interact more with other members of the online dressmaking community, and some of my favourite sewing brands. I think I’m going to make more of an effort to take a picture when I’m sporting one of my handmade items.
Lessons from Me Made May:
- Trousers. Since my favourite-ever work trousers wore out a couple of years ago, I have essentially stopped wearing trousers. I have one pair of jeans that are one strenuous bend away from destruction. MMM helped me to fall in love with my Cigarette Pants. I think the biggest problem with them is that I didn’t choose the right fabric. I am planning to make a pair in corduroy for winter.
- I don’t have enough plain tops. I’ve never been able to find the perfect plain basic top, but I should resume my search.
- In fact, plain things are a problem for me in general. I need a few more staple garments that don’t have a crazy print on them.
- I need to go through my older knitted items and decide whether to keep, frog or donate them. I have quite a few jumpers from the past few years that I simply never wear, and I have no real interest in hanging on to them for sentimental reasons.
- To be honest, I need to do the same thing with my sewn garments. I wore quite a few items that I would never have worn if it wasn’t Me Made May. I need to decide whether they are really deserving of a space in my wardrobe, or whether I need to accept whatever lessons I learned from making them and get rid.
- Weirdly, day dresses are a big gap in my wardrobe. I wear dresses to work all the time, so this is a very obvious area to get some fun projects in. I definitely need to move my Balinese rayon dress up my queue.
As I’ve mentioned numerous times, my obsessive passion for knitting has taken a nosedive over the past few months. I think that this is partly due to becoming a highly competent knitter. I don’t feel particularly challenged by prospective knitting projects. Another part is dissatisfaction with some of the garments I have created. Since you are creating shaped fabric as you knit, once an item is finished, it’s finished. If there’s something you don’t like about it, often that’s a case of tough luck.
There’s also a limit to the number of knitted garments that a wardrobe can take. Realistically, I don’t wear knitted jumpers that often. They are a bit casual for workwear, and if I’m looking for comfort, I usually reach for a RTW sweatshirt or hoodie rather than one of my creations.
I think this is why sewing has started to interest me so much more. You can create a much wider variety of clothing, and home-sewn items are less radically different to shop-bought than handknit to machine knit.
However, the experiences of knitting and sewing are vastly different. For me, sewing is highly immersive and addictive. I fly through the steps, desperate to discover the result of my fevered work in front of the machine. I scarcely breathe. This is partly my personality- being outcome- rather than process-oriented (something I try to work on). It’s also a side-effect of my being a relative novice. When I first started knitting, I would occasionally stay up all night working on a project. However, I also think it’s partly due to inherent differences in the two activities.
This is a very long-winded way of saying that I miss knitting. As an attentionally impoverished millennial, I am basically incapable of sitting still. I’ve noticed that I’ve started playing stupid games on my phone while I’m watching TV. This used to be knitting time.
I haven’t forced myself to do any knitting during my fallow period. But recently my interest in yarn has started to pick up. After reading a very interesting blog post by Tom of Holland, I picked up a copy of Indigo Knits, a wonderful book about working with denim yarn.
I also bought Inspired by Islay, Kate Davies’ most recent publication.
This jumper is everything to me. I’m holding off on starting because I need to consider whether there is a gap in my wardrobe for her. I would like a cropped sweater to wear over skirts and dresses, but I’m not sure whether this is the right candidate.
I also bought some of Kate’s Buachaille wool. I’ve been wanting to try it ever since it was released. So far I’ve just made a swatch.
So, some stirrings of wanting to knit, and a small project to work on are positive signs. I think that even holding off on starting Port Charlotte represents progress. A mistake I’ve made over and over is starting projects without sufficient thought and research. Knitting a garment is slow, labour-intensive and expensive. I owe it to myself as a craftsperson to put in the legwork to have the best chance of ending up with something I love.