I’m so pleased with how my Threadcount 1617 shirt turned out! When I look at it, I can hardly believe I was capable of making it myself. This project is a surprise win. I wouldn’t have chosen this fabric if it hadn’t been on sale, but it’s fun to experiment with a colour and pattern slightly outside my comfort zone.
There are a lot of lovely finishing details in this shirt. Plenty of slip-stitching of facings to hide seams. Overall I am very happy with the finish even though I made quite a few mistakes. I tried not to be too perfectionistic about tiny details, but rather treat the process as a learning experience for my next make.
I have mostly used indie patterns up until now. There is a lot of hand-holding and the techniques have been quite simple. It was nice to take on a more complex pattern. The sparse instructions gave me a sense of being trusted to know how to interpret them. Making the collar was the part I found the most challenging. You have to press the curved seam allowance, which is incredibly fiddly. I then managed to sew the collar on backwards!
I was glad to have done the Ultimate Shirt class at Sew Over It because I was a bit more familiar with the couture techniques that were just casually mentioned in the instructions. I had to think quite hard at times to figure out what I was supposed to be doing. I found the process very engaging and twice looked at the clock to realise I had been sewing for several hours without noticing the passage of time.
I harvested these buttons from a RTW shirt that was worn out. Something so nice about making clothes is personalising to your unique body. The old shirt had such narrow cuffs that it was impossible for me to get them over my hands with the buttons done up. This made me feel like a huge-handed freak. I tested that the cuffs fit over my hands comfortably before placing the buttonholes and buttons.
I LOVE the button tab detail. So worth the extra effort.
I can’t wait to make my summery version of this shirt, though I think that will have to wait until after I have moved house. Something I will definitely need to consider is how to finish the seams. Even though I have become quite a fan of French seams , they weren’t suitable in many places. I didn’t realise until too late due to my bad habit of not reading through all of the instructions before starting out. It will probably make most sense to keep it simple and either use an overlocker or overcasting foot.
I think I will stick with the Size 12 next time. The fit is decent in the shoulders and I like the roominess for a breezy summer shirt. It’s also SO NICE to have a blouse that is the correct length and doesn’t pool around my hips.
- making a two-piece sleeve. The fit is great!
- making a curved hem that looks ok. I found this tutorial helpful. The secret seems to be just pressing it to death.
Changes not mentioned in last post
- shortened by 6cm
- added four press studs to fasten
Pattern: Threadcount 1617 View C size 12
Fabric: 169cm viscose remnant (140cm wide)
I think 1.5m of fabric would be sufficient for this size and view
Fabric: £10.89 (including delivery)
Notions: Around £5
Total: About £19
After all the effort that went into finishing my Macaron, I nearly destroyed the dress on its second outing. I was climbing over a fence to get out of a park and decided to show off by jumping down. I managed to catch the skirt on one of the spikes, popping most of the side seam (which looked great for the rest of the evening) and also tearing the fabric.
After deciding not to chuck the dress in the bin, I thought that a patch was the best solution. It wouldn’t interrupt the floral pattern and it would also serve as a permanent memorial to my ongoing foolishness.
I bought a few patches in India that I thought might do the job. However, when searching through my craft stash for something else, I found a patch that I bought from Hand Over Your Fairy Cakes. The colour palette complements my Macaron pretty well, and it was just big enough to cover the tear.
I started by loosely stitching up the rip.
I used my embroidery hoop because my aim was to make sure the fabric was hanging true before patching.
The fact that I had an iron-on patch made my job nice and easy. I could perfectly position the patch before securing with stitches.
I used the embroidery hoop again because the fabric is so light.
I didn’t do anything fancier than some small running stitches hidden in the white border. The patch is only just bigger than the hole in the fabric but I hope the glue will hold the fibres together. Also, the back of the skirt isn’t a high-stress area on the dress (unless you are doing questionable activities while wearing it.)
Overall, I found it surprisingly enjoyable to mend my dress. Even though I’m not totally in love with it, I think Macaron is a great pattern that looks really nice on, and I always get nice compliments when I wear it.
(Sorry not sorry for the cheesy pic)
As I often seem to, I made the rash decision to sew a garment for holiday about three days before going, when I really didn’t have sufficient time. As a result, I only got two hours of sleep the night before my flight and ended up cutting my airport arrival uncomfortably fine. However, I am pretty happy with these trousers so I will forgive myself.
Aside from the mishap with the missing pattern piece (I must have left it behind after the workshop), this was a lovely and straightforward make. Really the perfect counterpoint to the coat.
I made the elastic on my first Carries too tight. I think I had some kooky idea about wearing them high-waisted. These are a lot more comfy.
It’s been surprisingly chilly in India so very happy I took the time to complete this make.
Pattern: Carrie trousers by Sew Over It. Size 10 with extra length
Fabric: 1.5m Liberty tana lawn
I finished sewing my Macaron dress!
Sewing projects always trick me into thinking there’s hardly any work left. When I wrote my previous post about this dress, I basically thought I was done as I had constructed the bodice, skirt and sleeves. I hadn’t factored easing in the sleeves, lots of seam finishing (a step I was initially planning to skip), joining the pieces, inserting the zip and finishing the hem.
In between the two phases of making the dress, I had my sewing lesson to help me fit the bodice. Turned out that it was a fairly straightforward fix of reducing length in the back. We took a curved line out of the upper bodice so as not to disturb the style line of the pink fabric. Apparently, this is an alteration that is commonly needed if you have a larger bust and an upright posture. In fact, I have had issues with the back bodice in other dresses, so this is definitely a hot tip for future makes.
Things I’ve learnt for my next Macaron:
- Be careful to transfer all markings from pattern to fabric
- Be precise when sewing bodice seams so the pieces match at the sides
I don’t know what it is about this pattern, but it really emphasises the waist, which I absolutely love. I’m confident that I will be able to wear my dress to parties without foundation garments, eat and dance all I like, and it’ll still be flattering.
I’m really looking forward to starting work on my second iteration of this pattern. After being inspired by a dress on Pinterest, I’m on the look-out for some lace to complement the Liberty fabric. I do love a challenge!
Pattern: Macaron by Colette Patterns
Fabric: Under 2m pink rayon from Indonesia. Contrast fabric from Goldhawk Road, used less than 1m
I finally finished sewing the Sew Over It pencil skirt that I started over two years ago. I feel that my tastes have evolved even in the past couple of years, so I’m not sure how much wear this garment will get. I suppose this is why most people don’t leave things on the WiP pile for several years! Maybe it will just have a token appearance during Me Made May.
I was highly apprehensive about making the size 12 as the measurement chart indicated I should cut a 14. However, I have found the sizing and charts off for pretty much every SOI garment I have made, so I went with my gut instinct and I think the 12 is the correct size for me.
It’s good to know how this pattern looks in the flesh, so to speak. I think it’s a good standard pencil skirt. I would only make this pattern again using quite a structured fabric, as I think anything drapey would cause the skirt to hug my lumps and bumps.
I’m already considering my second pencil skirt, for which I’m eyeing the lovely piece of thick, textured fabric I snapped up in the Sew Over It remnant sale. Aside from being irritated with myself for apparently losing the front and back skirt pieces that I so painstakingly taped together, I am aware that I already own a pencil skirt that is perfect.
It’s this beautifully tailored navy skirt that I picked up in a charity shop a few years ago.
It’s a bit difficult to see the skirt as I was actually photographing the shirt, but there’s definitely a reason that I’ve worn this skirt almost to death. It hugs my waist without being tight or constricting in any way. It skims over my hips in exactly the way that I like. It’s fantastically comfortable in pretty much all seasons. When I got it, it had already been loved by the previous owner and now the fabric is getting shiny, there is a flaw in the zip, and the kick pleat flaps around sadly.
I wonder if I have the skill to adapt the ultimate pencil skirt to become my ultimate pencil skirt? Have any readers had any experience of making significant adaptations to patterns as a relatively novice sewist?
Pattern: Ultimate pencil skirt by Sew Over It
Fabric: I think it was called Joseph Rainbow Boucle, from SOI. Pretty sure I used around a metre.
When I was in Indonesia last year, I was drawn to an embroidered dress in a vintage shop, despite the fact that I knew the shape of the dress wasn’t for me. A year later, I have finally finished converting the dress into a skirt.
This is the dress as I bought it. The bust and top back are made from a jersey material, which complicated the alteration.
This is what the skirt looked like partway through. I’m not going to share a vast amount of information about the alteration because I just did it how I felt, and I’m fairly sure there would have been a much better way to go about it.
Basically I cut off the jersey part of the dress, and used the under-bust part as the waistband. The dress was already partially elasticated- you may be able to tell where the elastic is in the picture below. I added a thicker strip of elastic, partly to disguise where I cut the jersey. I recycled the strips of embroidered woven fabric to cover the elastic at the back. It buttons to the elastic, and to itself, to keep the two halves together and flat. I may remove this part in future and just leave the elastic visible- I’ll see how the skirt wears before making a decision.
Here’s a side view.
Overall, I am fairly happy with the finished product. I just love the embroidery, which is why I purchased the dress in the first place. The fabric isn’t drapey at all (maybe it’s a light cotton?), so for me it’s not ideal for a skirt of this style, but I think it’s fine overall.
After a very long pause, I have finally finished knitting this jumper. As you may be able to see, this made me happy.
Here she is looking less inspiring on the blocking board. I tried to stretch the jumper out a bit but decided against using pins.
My friend (and fellow crafty crusader) Jane very kindly helped me to take some pictures of this sweater on a recent short trip to Belfast. We managed to find a beautiful mural that I felt echoed the colours in my jumper. Unfortunately there were some issues with sun.
Here I am raising my arm for some reason. I am so crap at posing.
Managed to squint a bit less in one of the pics.
Overall I am very happy with how this sweater turned out, despite the fact that the yarn was a different colour than I had seen in the shop. The fit is pretty good, especially in the shoulders, and the yarn is lovely and warm, and not itchy at all.
Pattern: Better Breton
Yarn: Squoosh FiberArts Merino Cashmere Sock in Eggplant, and The Lemonade Shop mini skeins