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I was scrolling though Pinterest the other day, looking for pinspiration, when I was reminded of the Macaron dress I planned to make nearly two years ago.

I’ve got a wedding coming up in a few months, and I think this dress would be perfect. I immediately dug out the pattern pieces I cut over a year ago.

I’m pretty much planning for this project to be a toile. I have a weird love-hate relationship with the fabrics I chose. I never normally wear pink, but I couldn’t resist the pretty floral pattern and birds. I remain unsure about whether the blue looks good, or the top of the dress would pop more with a white contrast.

Anyway, it will be a pleasant surprise if I end up with a wearable dress. I’ve never bothered making a toile before, but I paid full price for the Liberty fabric and I’m really looking for perfection in the final garment. Macaron is quite an intricate pattern so I’m a little apprehensive about my ability to fix fitting problems. Eek!

I whizzed through the steps of constructing the bodice pretty quickly.

As soon as I tried on the bodice, I realised there were big problems. The fit on the waist was tight and the bust seemed okay, but I had a lot of fabric pooling in the back.

You can even see the bagginess on the hanger. I tried pinching in the side seams and tugging in various directions, but I couldn’t figure out how to make it lie flat. This is my first solo attempt at a fitted bodice.

I decided to trace a copy of the bodice pattern to make my adjustments. This is a bit of a case of locking the stable door after the horse has bolted- since I cut out the pattern pieces, I’ve lost the larger sizes. However, this way I still have a back-up in case my alterations somehow make the fit even worse.

I ended up deciding to book a private sewing lesson to get some expert fitting advice. I completed as many steps as possible to take along. I have to say, Macaron is surprisingly easy to construct given the polished final look of the dress.

Slashing the pleats to place the pockets was a bit scary, but I adore the final result. This is what the pieces looked like before my lesson.

Wish me luck!

Pattern: Macaron by Collette Patterns

Fabric: Viscose bought on holiday in Indonesia. The blue is some random fabric purchased on Goldhawk Road


I finished sewing my second Bettine dress! I’m so pleased with this project, especially considering that this is my first time working with jersey.


I detailed the changes I made to the pattern here. I’m very happy with the alterations I made from my first go at this dress. I think the Bettine works really well in a knit. I’m really pleased with the fabric, too. The jersey feels heavy and of great quality, but because it’s cotton, it’s also breathable.

When I tried the top and skirt on before constructing the waistband, I realised that the tulip skirt looked a bit silly on me in this heavy jersey, so I reduced the curve.

I love the way the neckband gives the dress a more t-shirty look. I would agree with others that a jersey Bettine is basically secret pyjamas.

Somehow this dress seems a little on the short side. My raindrop Bettine seems around my standard dress length, whereas this one is only just long enough (for my personal taste) to wear to work without tights. I made the hemline exactly as instructed so may lengthen by a centimetre or two if making in jersey again. I am only 5″4, though I do have long legs.


Slightly random note, but this project uses a lot of thread. I bought a new spool of turquoise polyester thread and had to get a second one to topstitch the hem. While I did a fair bit of unpicking, I didn’t finish any of the edges (apparently you don’t need to with jersey) so I was surprised that I got through so much thread.

I’ve always been very apprehensive about working with a knit fabric, so I’m relieved that I was able to do it. I did really take my time with this project, which helped. I’ll see how this dress wears, but I can definitely see more jersey Bettines in my future.

Pattern: Bettine by Tilly and the Buttons

Fabric: 2m cotton jersey from Sew Over It


I finished sewing my Bettine dress!

I made a few alterations to the pattern, including a full bust adjustment. I included a bit more information about the changes in my previous post.

Overall, I think this is a great pattern. The only minor comments I would have is that my neckline gapes a little, and I find there is a bit too much ‘blousiness’ in the bodice- I will shorten it in future.

Although I’d read that double gauze can be translucent, I thought I’d be alright because the double gauze I bought from the same supplier before was solid. All I can say is, white makes fools of us all!

I think the biggest issue is likely to be that the fabric creases quite badly. I’m just going to have to live with that as I seldom iron when I’m not sewing!

Pattern: Bettine by Tilly and the Buttons

Fabric: 3m double gauze, 108cm wide


After the relative success of my raindrop-print Bettine, I was excited to cut another. I picked up this remnant of striped jersey from Sew Over It a few weeks ago. I thought £7.50 was very reasonable for two metres, and when I was looking for more information online, I discovered that it’s still available for £13/m. I love a bargain. I’ve never worked with a knit fabric before, and getting this fabric so cheaply helped me to push myself.

I made a few further changes to the pattern

  • Reduced neckline by 1cm on each side to prevent gaping (tutorial here)
  • Reduced length of bodice by one inch
  • Curved front skirt waistline to match back
  • Removed 4cm (2cm each side) from neckband. In future,  remove 5 or 6cm
  • Stabilised areas with wonder tape before twin needle stitching to reduce tunnelling
  • Finished pocket edgings with the same technique as the neckline. Used 23cm strip of fabric
  • Single layer pockets
  • Reduced curve in the hip by 1.5cm

Tilly provides some very handy tips for making a jersey Bettine, including the dimensions for the neckband.

Cutting the jersey was more difficult than cutting a woven fabric. I’d already invested in a rotary cutter, mat and pattern weights (partly because I find cutting with scissors super annoying). I must add that I made the job more difficult for myself by using stripes, which I tried my utmost to keep horizontal.

For the sewing, I also purchased some ballpoint needles and made use of my walking foot for the first time on my new machine. I just bought a cheap generic one as part of a set of feet.

The first step was constructing the neckline, which was a real baptism of fire. I wasn’t sure I would be able to manage the stretch fabric without pulling the neck out of shape. I carefully pinned the fabric first, using ballpoint pins.

Heartbreakingly, I had to unpick my first attempt as the neckband was too long. I wasn’t surprised as I had adjusted the bodice neckline to reduce gape, but it was still annoying. I also hadn’t really understood the instruction to baste in place first, meaning I used a stretch stitch, which was a pain to remove.

Here is the finished neckline.

I’m really thrilled with it! Loads of firsts here- first stretch, first neckband, first use of a twin needle. I probably could have reduced the neckband by another centimetre or two, but I think this is good enough.

I even used the same technique to finish the pocket edges. I thought it might be cute to carry the design element from the neck. Lots of people seem to think the pockets as written aren’t a great idea in jersey, so I created single layer pockets. I stitched the pocket bags onto the skirt front using my twin needle, again trying to keep the details consistent in this garment. It felt a little strange to go my own way with no instructions to follow, but it seemed to work.

So far I’m cautiously optimistic about this project. I’ve found myself taking a lot of time to get things right- I pulled those pocket edgings out so many times to try and get them to lie flat! However I haven’t begrudged the time. I’m just hoping it’s going to pay off in the form of a lovely dress.

Pattern: Bettine by Tilly and the Buttons

Fabric: 2m (140cm wide) cotton jersey from Sew Over It


I’ve loved Bettine pretty much from first sight. I was unsure about buying the pattern as I read a few blog posts that weren’t entirely positive about it, but I finally took the plunge last year and picked it up with three metres of beautiful double gauze. It’s by the same people that made the fabric for my unicorn top.

I had hoped to make this dress for my Brazil trip last year, but I bumped it in favour of my spur-of-the-moment zebra shorts

After reading even more blog posts, I decided to make some modifications to the pattern. This involved tracing a pattern for the first time ever. It took ages, but it’s nice to know that I still have the original pattern if my adjustments turn out to be a disaster.

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I curved the waist seams following this post. I also found this post by Tilly herself very helpful, and I did my first full bust adjustment.

The first stage of the dress is constructing the bodice. This is fairly straightforward. The neckline stitching is a little fiddly. I found the most difficult bit was easing the side seams, which is only necessary because of the FBA. However, having tried on, I’m very happy I made the adjustment.



I’ve also constructed the pockets. This material is quite transparent, so I’m going to have to buy or make a half-slip to wear underneath. As you can see, I managed to mess the left pocket bag up slightly. I’m hoping that adding another centimetre to the front seam allowances in that area on both sides (marked by the pins) will fix this as it would be very time-consuming to rectify this error.

So far, I’d say that this dress has mostly lived up to the promise of being a straightforward sew.


I finished sewing my fairytale Cleo dress just in time for my thirtieth birthday, which was yesterday. Hence a finished object being presented on a day other than a Friday. Gasp! Behold my now-haggard form.


My 30th was a mix of immaturity- cake for lunch and going to a ball pit (albeit an adult ball bit)- and age appropriate activity. The evening was spent at the Newport Street gallery.


There’s so much discussion when you’re a woman turning 30, and plenty to think about. When is it time to worry about settling down and having kids? Do I want to settle down and have kids? Am I happy in the life I have created for myself over the past three decades? Am I too old to wear a mini-dress with little mushrooms on it?


I have few comments on the Cleo dress pattern. Overall, I think it’s cute though I’m still not sure whether the style actually suits me. The dress was a quick make- two evenings in total, including plenty of mistakes and unpicking. I think the most time-consuming part was sewing all the patch pockets. I found Tilly’s tips on working with corduroy very helpful.

I made the size 2, but I probably should have just gone for the 3. I let the side seams out a bit as the dress looks nicer on me with a bit more room around the hip area. I made the dress quite short, the hem was over two inches.

I can see no reason not to add in-seam pockets to this dress. I may add afterthought pockets to this mushroom dress if I feel it’s going to get a lot of wear.

Pattern: Cleo by Tilly and the Buttons

Fabric: 2m needlecord in print, plus 0.5m in plain. I had leftovers of both


I’ve been seeing quite a few Cleo dungaree dresses (pattern by Tilly & the Buttons) on soc meeds since the pattern was released. At first, I wasn’t sure about the whole dungaree dress thing (despite the obsession I developed over the Lazy Oaf Catafore, which led me to create my Cateralls). But, as often happens, the more I saw, the more I liked and I have now jumped firmly onto the bandwagon.

I decided to make the patch pockets out of plain black needlecord to break up the pattern a bit. Even though I think the mushrooms are adorable, they are very bold. I ordered the plain black needlecord online, and was disappointed to find that it is less black than the background of the mushroom cord. However, I couldn’t find any needlecord IRL in west London, so I will be proceeding nonetheless.


This is how the two cords look together. I love the way the black creates an effect of negative space on the print.

I dithered for a while over whether to cut  a size 3 or 4. According to the measurements given, the 3 could potentially be on the small side. However, a lot of the Cleos I’ve seen online look like they err on the large side, and I mostly wear a 10 in RTW clothing. So I decided to go for the 3.

Due to the crazy fabric plus my laziness, I will not be doing the front and back seams on the dress pieces. You can just about see in the pic below that I marked off 1.5cm from the centre of the front and back pattern pieces to account for the seam allowance.

I was hoping to gain access to an overlocker for an hour or so to finish the edges of the pieces before I proceed. In the end, I used my trusty overcasting foot.

I also considered adding in-seam pockets to this dress, but no one else seems to have done this, and I  was  concerned there was a reason not to. In the end, I couldn’t be bothered but it may be something I consider if I make another version of this dress.