I’ve had plans to make a second pair of Sew Over It Carrie trousers with the Liberty fabric I bought in their sale since… well, since I bought it at the beginning of the year. I was a bit concerned that they’d be too similar to my original Carries, but I thought that these would be super useful on my trip to India, so I decided to forge ahead.
These trousers used around 1.5m of fabric. I felt that the ladder print looked pretty similar either way up- I would have needed close to the 2m I had if I’d cut all of the pieces going the same way. I paid £22.50 for the fabric, which isn’t bad for Liberty tana lawn (in fact it’s half price). The print is called Howells Ladders B. I had in my mind that it was Jacob’s ladders, which is rather different.
Just when I thought everything was going swimmingly, I realised that I was missing a pattern piece- the back waistband. Fortunately I was able to use my previous Carries and the pattern pieces to calculate how big it should be.
Put the waistband together and it seemed a bit snug when I tried it on. Quickly realised that I hadn’t added a seam allowance to my pattern piece. D’oh! I initially planned to fudge the trousers and waistband together, and try to ease out the 3cm discrepancy. I’m glad I decided to be sensible and instead cut out a 6cm rectangle to add into my waistband. Fudging it would probably have ended up taking more time and looked crap.
I made few changes to the pattern. Used French seams on the legs. Used 4cm elastic because the thicker elastic in my original pair has a tendency to fold in half, which annoys me.
Pattern: Sew Over It Carrie Trousers. Size 10 with additional length.
Fabric: 1.5m Liberty tana lawn
With the festive period well and truly upon us (i.e. it is December), it’s time to
foist lovingly bestow gifts of homemade preserves upon friends and family. After my jam– and chutney-making exploits of the late summer, I had a LOT of jars to shift.
In order to jazz up my random assortment of recycled jars, I made some labels.
I was inspired to do the cute faces by one of my favourite instagram accounts, @parade.made, who did an adorable challenge called #100daysofkawaii I recommend checking it out!
I considered making rubber stamps but thought it would be easier just to hand-draw each label.
I had to check the timestamps on my photos to remember when I made the jam and chutney. They should be nice and mature for consumption in the new year.
These look pretty different to the last jars of jam I bothered to label. Aww, past me.
I haven’t been able to do as much making as normal since I hurt my thumb at quidditch practice a couple of weeks ago.
I actually think I was rather lucky. The injury was absolute agony at the time. I was convinced my thumb was broken. On the way to get it x-rayed, I felt like I was cursed. Images of hand surgery, weeks of recovery and permanent damage to my dominant hand filled my mind. What if my fine motor skills were affected? What if I no longer hand the ability to take a project from idea to reality?
The x-ray revealed no fractures, for which I was incredibly grateful. But that was where the diagnosis ended. My thumb was either sprained or strained, I was told not to play contact sport for at least two weeks, given a splint and sent on my way. I was so worried that I went to my GP on the Monday, but they weren’t able to give me any clearer information, apart from telling me again that soft tissue damage takes 2-6 weeks to heal.
I spent the next few days pretty depressed. You don’t realise how much you use your right thumb until it’s hurt. Everything was an inconvenience, I couldn’t craft or exercise and the splint hurt my wrist. In addition to all of this, our regional quidditch tournament was taking place the week after the injury. How could I lead my team and feel I’d made a contribution if I couldn’t play?
I went to therapy and my analyst asked if I’d seen a physio. I laughed- I’ve never been to a physiotherapist in my life. We spoke about how she kept coming up with solutions and advice for me. Was this a response to my feeling powerless in getting better?
Even though it was expensive, going to see the physio was a massive relief. She carefully assessed my hand and told me what she thought was wrong with it- a strained muscle. The power and movement in the thumb was normal. I was unlikely to do more serious damage if I played at the weekend.
Psychologically, I think that having the input from the physio allowed me to switch from feeling like a victim to feeling resilient. Perhaps I was recovering more quickly than expected because I am strong. I also think it was important that I took action and helped myself.
I rested the thumb for the rest of the week and then tried some gentle throwing and catching on Friday. My hand was okay! Amazingly, I was able to play in the tournament with very little pain or loss of function.
Photo credit: More Quidditch Photos on Facebook
Knitting isn’t too painful, so I’ve been making some slow progress on the last long rows of my Wonder Woman shawl. I think it’s looking great! I’m going to Bristol for a conference this week, so hoping I’ll get to finish it up.
Here we have yet another instance of craft reflecting life. Being able to bounce back from an injury and lead my team in the tournament has helped me to feel like a strong and capable woman. A bit like a certain superhero.
Since I had only attended half of the first class at Sew Over It, I had a LOT of homework to do in the following week. I still had to cut out many of my paper pieces as well as all of the fashion fabric, lining and interfacing; test the fabric for how much steam it can take, test the interfacing, and fuse the interfacing to the fabric.
I had 1.2m of fabric left at this point- with one small piece to cut. Once more, I got fabric of a non-standard width from Goldbrick Fabrics. It’s 152cm wide. This is something to watch when fabric is over £70/m! However I’m kind of excited at the prospect of making a pencil skirt from the remnant.
I think that one of my pattern pieces is missing an alteration so most of the front pieces aren’t cut out. I also haven’t tackled cutting any lining yet. However, I cut and fused everything I was confident with.
After the class
Managed to cut out all of my fabric and interfacing, and fuse them together. The rest of the class was spent working on the pockets.
It’s quite nice to see my fabric and lining playing together.
I have to say I am not really enjoying coat class rn. I booked it before realising I was going to be crazy busy. Essentially, I have a stressful day at work, go and be stressed for three more hours, then get told to do a lot of stuff that I don’t have time to do during the week.
I do think it’s given me a bit more empathy for the kids I work with. Being stuck in a class, knowing that you’re behind and can’t catch up sucks.
Loads of homework again this week, and I’ll also be at a quidditch tournament in Edinburgh all weekend. We’ll see how I manage that.
I’ve wanted to take part in the series of sewing workshops to make the 1960s coat for ages, but the time was never right. At first, I was not an experienced enough sewist to undertake such a complex project. The workshop then became unavailable for an absolute age. So, when I saw that it was up and running again, I booked straightaway. I’ve been wearing some incarnation of a red coat for more than ten years now and my current version is really threadbare. I would have liked to replace it two seasons ago but red coats are not easy to come by. Now I’m going to try and make my own.
Photo taken from the Sew Over It website.
The course notes state that 3m each of fashion fabric and lining, so the first step was to go shopping. My job semi-regularly takes me near the Goldhawk Road and I hoped that this was where I would find the perfect red wool. I didn’t have a huge amount of time, so I just headed to my best-loved shops. I was tempted by a bolt-end of red crepe in Misan West- £50 for 5m was a bargain, but wool crepe isn’t really right for a winter coat. They also had some nice red wool with a sort of herringbone pattern (£35/m) that was my only other option.
Goldbrick Fabrics is my favourite shop on Goldhawk Road. They have a great selection, good customer service, which is very important to me, and they didn’t let me down. The woman who helped me pulled out a sample of a wool and cashmere mix that was utter heaven. A stunning shade of pillarbox red that felt as beautiful as it looked. I balked a little when I saw that it was nearly £80/m, but I had to have it. Yolo. The lady was willing to negotiate, so I thought it made sense to buy my lining there too. I am a huge fan of a jazzy lining, so I had to have this patterned purple viscose.
All in, I spent £220 on the fabric for this coat. The course was just over £160, which means that by the time I get buttons and interfacing, I will have dropped more than £400 on my new coat- double what I spent on my last (red wool and cashmere mix) coat from John Lewis.
I like to be clear about prices because people often don’t realise the cost- both financial and in terms of time- associated with being a maker. On the other hand, this is a wonderful opportunity. I will spend twelve hours in the company of an expert dressmaker learning how to make something that is literally tailored to my body and my style. It makes sense to invest in fabulous fabric when I have someone so experienced to guide me through the process of creating this garment.
I had to leave the workshop early (for very exciting reasons that I hope to be able to reveal soon) so only managed to alter the pattern.
I think my whole Sunday will be spent cutting and ironing!
I cut this dress out soon after finishing my denim day dress, but didn’t do anything else in over a year. I intended to take the pieces to a sewing cafe to overlock them, but never quite got round to it until a couple of months ago.
Weirdly, I had to re-cut a lot of my pattern pieces. No idea why, but a lot of them were too big. This also gave me a chance to take some length out of the back bodice.
The dress seems to be going together okay so far. I found the viscose more difficult to gather neatly than the denim of my previous version. I think next time, I would sew the elastic even closer to the tops of the skirt pieces.
I also found the invisible zip installation instructions a bit confusing- they state to sew using a normal zipper foot, but at no point seem to instruct you to go over it again with an invisible zip foot. I’ll just add this step in as I see fit.
You can see the offending sleeve at the top of this pic. On a more positive note, adding a row of gathering stitches made it a lot easier to pin in the sleeve.
Fortunately re-cutting the sleeve didn’t cause me too much of a roadblock even though I couldn’t find the pattern piece and so had to trace a new one off the second left sleeve. Hope the other piece turns up. The construction goes really quickly once the sleeves are in, so now it’s just the hems and neck facing to go.
Fabric: Around 2m of rayon purchased on holiday in Indonesia