I finished knitting the modified spindrift shawl I’m making for my aunt with the yarn I picked up at Countess Ablaze when I was in Manchester last year. I decided to omit the eyelet rows because I didn’t want the shawl to look busy. I think the yarn speaks for itself. However, it did mean that knitting it was unbelievably boring. I just don’t like knitting stocking stitch flat, but I do really like the way that it looks.
I took these pictures when I was at Hampton Court Palace for my embroidery workshop.
I ended up doing quite a few rows of garter stitch for the border since I had quite a bit of yarn left. I didn’t want to risk running out of yarn but I needn’t have worried. I actually finished the knitting and cut the yarn in Finland, before realising that I didn’t have a darning needle with me for the sewn bind-off.
I have no recollection of how I did it the last time. I’m fairly sure I used this technique on my Bad Day shawl, since I got the idea from looking back at the boneyard shawl pattern. I used this technique. It took HOURS.
Anyway, I hope that my aunt will appreciate this gift and get a lot of use out of it.
Pattern: Spindrift shawl (modified)
Yarn: Viscount of Spark by Countess Ablaze in Bienvenue
Overall, I’m very happy with how my plain version of the Colette Macaron dress turned out.
It felt good to be able to use my skills to make the changes I wanted to this dress. I did look for some guidance on line, but when I couldn’t find anything about altering the pattern, I decided to go my own way. I was aware that my sewing improved a lot over the past couple of years, but I don’t consider myself an especially advanced sewist. I had a lot of help with my most complex projects, including the only thing I have ever lined properly (my coat). However, I definitely have picked up tips and tricks from Julie that helped me.
That being said, the guts of the dress turned out to be a bit of a mess. Even though it felt good to follow my own instincts when it came to the lining, this remains something I am not experienced at doing. Next time I want to line a garment, I will follow a proper tutorial.
I kind of went halfway in between lining and underlining the dress, when I probably should have just stuck with one method. Another problem was the fiasco with the skirt (described in my last post, which has a lot more details about what I did). I had already used a French seam (definitely incorrect in this situation) on the side with the zip. I decided to slightly fudge the redo of the seam, which doesn’t affect the outside but looks like a dog’s dinner inside.
On the plus side, I have been reminded that a lining (however inexpertly installed) makes a garment feel so much more luxurious. This dress feels much more ‘proper’ than any of the ones I have made before.
I haven’t covered up the waistband seams yet. At some point I plan to slip-stitch some ribbon over the whole waistband area. But I decided to leave it for now. If the lining overall had been more successful, I would care more about how the inside looks. Life just feels too short at the moment. I’m not one of those people (yet) who needs the wrong side of their makes to be as beautiful as the right side.
While I was making this dress, it occurred to me that sewing is a form of 3D puzzle. I am generally a bit bemused by adults doing things like Lego, but dressmaking really does use a similar skillset- lots of spatial problem-solving. Spatial awareness is definitely a weakness of mine, though it’s improved in leaps and bounds during my adulthood. It feels pretty good to exercise those muscles.
Coming in at under £35, this dress is one of my cheaper makes. The viscose was quite inexpensive even though it seems like nice quality to me. I suppose it is quite thin. I don’t understand fabric costings at all! I feel like this is the kind of dress that would sell for £60-70 in Oliver Bonas.
I bought this fabric just over a year ago, planning to make a third Day Dress (previous version 1, 2). I saw someone else using it at my disastrous silk cami workshop (Sew Over It were stocking it at the time) and fell in love. Although I like the Day Dress, my pink Macaron is probably the most flattering dress I have for day wear. I decided to have a go at making a version without the contrast bodice, which no one else seems to have previously attempted. I certainly could not find any blog posts about doing this even after extensive searching.
This post contains detailed notes about how I created a solid Macaron by combining the yoke and bodice pattern pieces. I will also describe how I lined this dress- I don’t think I did the best job, it’s more a case of notes for future learning.
I overlapped the bodice and yoke pattern pieces by 3cm and traced. On the front I also increased one of the darts by 5mm since some length seems to be taken out at the seam between the pieces. I probably should have done this on the waist dart but I took it out of the side dart- I don’t imagine this will make much difference. I just did the back straight and did not alter the shaping- I’m fairly confident this will work for my figure.
I also decided to make my life difficult by lining the dress. The neckline facing on my first Macaron is a travesty (partly my error, partly the pattern). At present I have only planned lining the bodice. I’ll see how I feel when I get to the skirt.
I easily got this dress out of 2m of fabric by book folding it. I nearly always do this and it saves loads of material. Pattern companies tend to massively overestimate the fabric requirements, as well as not having cutting diagrams that are as efficient as possible. It’s really wasteful and annoying. Bear mind that I also cut out two bodices.
I cut a size 10 with adjustments as described previously. I interfaced the waistband for extra stability. Since I had plenty of fabric, I decided to self-line the bodice so I don’t have to worry if the lining ever peeks out at the neck seam. I pinned and machine basted the darts as pleats in the lining pieces, trying to have the excess fabric fall in the opposite direction to the darts in the shell.
I made up the bodice as directed, following the same instructions for the lining. I joined the two pieces RS together at the neck. Note: do not finish the neckline edges before stitching.
I machined the bottom hem of the lining to the seam allowance between the bodice and waistband pieces at the front and back separately.
This is how the bodice looked just before I attached the sleeves. I’m very happy that I decided to line the bodice since the fabric is so delicate. It makes the dress feel much more classy and professional.
I attached the sleeves as in the pattern, to both layers of bodice and lining. I then finished the seam as one piece. I haven’t yet removed my hand-basting because I think it looks really cute.
I decided it would be silly to line the bodice but not the skirt. I cut out additional skirt pieces using the leftover lining from my coat. I shortened the pieces by about 3 inches and incorporated the selvedges at the bottom to save hemming (lazy sewing for the win!) I made up the skirt lining as directed, ironing the pleats in the opposite direction to those in the shell.
I had planned to attach the skirt and lining within the waistband seam allowance before I sewed the skirt to the bodice. However I wasn’t sure about having additional weight of the lining pulling down on the waistband piece. The fabric really is very delicate. Thank goodness I decided to interface it!
In the end I couldn’t think of another solution. Weirdly I had an issue with having a lot of extra length in my bodice compared to the skirt, but only at the front. I was able to ease it, but it took three attempts. When I tried the dress on, it looked weird. I tested the pockets and… they were on the back of the dress. I had seamed the wrong side of the skirt 🤦🏽♀️
My inability to tell left from right bites me again. I spent ages undoing the incorrect stitching and sewing the skirt together on the correct side. I then re-did the waist seam and it went together much more smoothly.
I tried on the dress and I’m really happy with the fit. I love the way this dress makes my figure look.
The last step was to insert the zip. That part was relatively pain-free. I hand-tacked the dress to the zip before stitching to ensure the waistband seams would line up- this definitely helped. I probably should have used a 1cm seam allowance rather than 1.5cm because the dress is a teeny bit tight at the waist. My makes normally give slightly with wear, so I don’t think it’s worth the bother of reinstalling. Now just the hem and a bit of finishing and this dress will be ready!
Fabric: 2m of viscose costing £18 (I paid £2.95 p&p for this and the fabric for my cloud tee). I also used less than a metre of viscose lining (a scrap so I will not cost this)
Pattern: £18 (second use)
Notions: All bought ages ago so no idea. Let’s provisionally say £5
Total: About £33
I’ve been working on a shawl using the skein of yarn I picked up from Countess Ablaze when I was in Manchester a few weeks ago.
It’s very hard to capture the colour of this yarn on camera. This shawl is going to be a present for my auntie but it’ll be late for Xmas, partly because I’m working with a broken finger.
The shawl is growing quite slowly. It’s been a while since I made a plain stocking wrap like this. The last time was probably my stormy skies one. It’s pretty dull knitting but I think the final result will be worth it.
Pattern: Spindrift shawl
Yarn: Viscount of Spark by Countess Ablaze
I managed to finish sewing my wearable toile of the Grainline Studio Linden sweatshirt and I’m absolutely thrilled with the result.
As I mentioned in my last post, I was a bit worried about how the jersey and scuba would play together. There was some puckering around the neckline due to the very different weight and stretch of the two fabrics, but fortunately this isn’t too noticeable when wearing. You can see it in the pic below.
I love the look of View B of the sweatshirt with no binding at the bottom- I really don’t like that shape for my body. It’s worth noting that the length is pretty short- when I raise my arms, my midriff does get exposed and I have a short body. It’s hard to judge whether the 6 is the correct size because of the amount of positive ease. I think I will wear a little more before deciding on the size for my next Linden.
I think I will have a go at making the next one using an overlocker. The domestic machine actually handled this pattern fine, but I think I would like a more professional finish when I’m using the expensive Atelier Brunette fabric.
At the Knitting and Stitching Show, I bought some beautiful sweatshirting to make my first Linden. However, having fabric issues with my third Lark made me realise that it probably wouldn’t be wise to use such beautiful (and expensive) fabric without a bit more testing.
I bought this printed jersey from Sew Over It around a year ago. I fell in love when I saw it in their newsletter. even though I wasn’t so sure when I saw it in person, I bought 1.5m since I had schlepped all the way there. My initial plan was to make a long-sleeved Lark but I realised very quickly that it would be too much of the print. I’ve kept a small sample of the fabric with me ever since, hoping to find a matching plain navy jersey but no luck.
When I was looking through my remnants for something to take to the boxy bag workshop, I rediscovered the textured dark navy jersey remnant. This piece was purchased from SOI as well and had been a real bargain (£5).
I’ve decided to put the two together to make a wearable Linden toile. I plan to use the nautical stripe for the front and back, broken up by the dark navy sleeves and collar. The fabrics are quite different weights. I’m just going to hope that doesn’t cause any problems.
I’m quite happy with my plan. I will get to try out the Linden to see how I like the neckline (necklines are my current big thing). I can also see how I like sewing it on my domestic machine. My Lark woes have me thinking it might be worth using an overlocker at a sewing cafe for constructing basics from stretch fabrics.
I decided to cut the size 6. Now that I have cut it, I’m pretty sure that the dark navy fabric is scuba. I understand that Linden is pretty straightforward to put together so I’m hoping to finish this soon.
Costs: Around £30
Textured navy fabric: £5 for 1.1m
Boat print fabric: Around £20 for 1.5m
I used around half a metre of each fabric
Within 24 hours of returning to London, I had sewn my first piece of clothing. I was very naughty and ordered some fabric just before I went away, and I got back just in time to collect it from the sorting office before it was returned to its sender.
I have a mild obsession with all things related to the sky, so I couldn’t resist this adorable cloud print jersey. One metre was plenty to make a second Lark tee.
Following what I learnt from my first Lark, I removed 4 inches of length from the body. People don’t believe me when I say I have long legs and a short body!
Here’s a pic where you can see the whole shirt. Overall this was another pleasingly simple make.
Pattern: Lark by the Grainline Studio
Fabric: 1m of cotton jersey
Cost: £15.50 (fabric + postage)
(Got pattern for free and re-used it)